EN
The conservation of the Baroque oil painting on canvas was conducted as a diploma work. The author attempted to attribute the painting of unknown origin and carried out its conservation, which involved the elimination of considerable deformations of the canvas, a two-stage doubling system, complicated cleaning of the heavily darkenedd surface, the removal of repainting and a reconstruction of missing fragments upon the basis of a discovered analogy in an engraving by Bolswert and paintings by Willmann. A comparative analysis of the style and the outcome of an examination of the chemical pigments and bindings indicate with a large dose probability the authorship of M ichael Willmann — the “Silesian Rubens”.