Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2015 | 4 | 33-40

Article title

The Transformation of Ugly into Beautiful in the Literature of Decadence

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
The transformation of ugly into beautiful is a feature of decadent literature. The embellishment of ugliness was important for the decadents to distinguish themselves from the followers of Classicism, who rejected the close representation of ugliness, from the naturalists who inserted ugliness in their works for the sake of a faithful representation of reality, and from such writers and theorists, who allowed the representation of ugliness only on condition that it turns the attention to its opposite, i.e. the beauty. The decadents, by inserting ugly subjects in their works, wanted to prove the power of art, which can embellish ugliness too. By their artistic solutions, the decadents showed that ugly subjects need not be banished from literature, because the form of a work is more interesting than the subject. Huysmans writes on his hero, Duke Des Esseintes: “only the work of his brain [the writer’s] insterested him, regardless of the subject” (2009: 244). The decadent embellishment of ugliness had influence on the later periods of literature too. Even if there are important differences between Decadence and Avant-garde, the concept that art can embellish ugliness was a prior condition of the birth of the historical Avant-garde trends.

Year

Volume

4

Pages

33-40

Physical description

Dates

published
2016

Contributors

author
  • Collegium Hungaricum, Vienna, Austria
  • Käte Hamburger Kolleg “Recht als Kultur,” Bonn, Germany

References

  • Baudelaire, Charles (2014) Les fleurs du mal (édition posthume et Les épaves). Paris: Arvensa éditions.
  • Bauer, Roger (2001) Die schöne Décadence. Frankfurt a. M.: Vittorio Klostermann.
  • Boileau, Nicolas ([1674] 1966) Oeuvres completes. Ed. by Françoise Escal. [Paris:] Gallimard.
  • Bürger, Peter ([1974] 2010) Az avantgárd elmélete. Szeged: Universitas Szeged.
  • Calinescu, Matei ([1977] 1987) Five Faces of Modernity. Durham: Duke University Press.
  • Gautier, Théophile (2013) Charles Baudelaire. Bremen: Dogma.
  • Gleize, Joëlle (1992) “A Rebours, musée de livres.” [In:] Joëlle Gleize. Le Double Miroir. Paris: Hachette; 197–216.
  • Hugo, Victor ([1827] 1932) Cromwell. Paris: Flammarion.
  • Huysmans, Joris-Karl ([1884] 1966) Against Nature. Transl. by Robert Baldick. Baltimore: Penguin Books.
  • Huysmans, Joris-Karl (2009) Against the Grain. Transl. by John Howard. Auckland: The Floating Press.
  • Kosztolányi, Dezső (1929) “Írástudatlanok árulása. Különvélemény Ady Endréről.” [In:] A toll 1 (13); 7–21.
  • Lemaître, Jules (1885) “J.-K. Huysmans.” [In:] La Revue contemporaine 1; 544–559.
  • Lessing, Gotthold E. ([1766] 1990) Werke 1766–1769. Ed. by Wilfried Barner et al. Frankfurt a. M.: Deutscher Klassiker Verlag.
  • Livi, François (1991) J.-K. Huysmans: A Rebours et l’esprit décadent. Paris: Nizet.
  • Nisard, Désiré ([1834] 1878) Études de moeurs et de critiques sur les poètes latins de la décadence. Vol. 2. Paris: Hachette.
  • Nisard, Désiré ([1844–1861] 1878–1880) A franczia irodalom története. Vol. 2. Transl. by Károly Szász. Budapest: Magyar Tudományos Akadémia.
  • Rasch, Wolfdietrich (1986) Die literarische Décadence um 1900. München: Beck.
  • Rosenkranz, Karl (1853) Aesthetik des Häßlichen. Königsberg: Gebrüder Bornträger.
  • Santarcangeli, Paolo (1980) Pokolra kell annak menni... Költők pokoljárása. Transl. by Márta Farkas, Judit Kepes. Budapest: Gondolat.
  • Schöpflin, Aladár (1918) “Cholnoky László novellái. Bertalan éjszakája.” [In:] Nyugat 11; 695–698.
  • Weir, David (1996) Decadence and the Making of Modernism. Amherst: University of Massachusetts Press.
  • Wilde, Oscar ([1891] 1905) “The Decay of Lying.” [In:] Oscar Wilde. Intentions. New York: Brentano’s.
  • Wilde, Oscar ([1891] 2011) The Picture of Dorian Gray. Ed. by Nicholas Frankel. Cambridge, MA: Belknap Press.
  • Zola, Émile ([1881] 1893) The Experimental Novel and Other Essays. Transl. by Belle M. Sherman. New York: The Cassel.
  • Goncourt, Edmond de, Jules de Goncourt (1865) “Germinie Lacerteux.” Available at: http://www.gutenberg.org/files/27711/27711-h/27711-h.htm

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-4cffe756-05f4-473a-9176-7d59d1cc0750
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.