Rubén Darío y la pintura. Principio ekfrástico y sinestesia

• Authors: Salvador Alvaro

Title variants

EN

RUBÉN DARÍO AND PAINTING. EKPHRASTIC PRINCIPLE AND SYNESTHESIA

• Languages of publication: ES

Abstracts

EN

The article examines the relationships between literature and painting in the works of Rubén Darío. The issue is seen in the context of modernis synesthesia, which was strongly present in the literary ideology of the modernist discourse, and it is analyzed with the help of the theories of ekphrasis of Murray Krieger. In Darío’s canonical works painting plays an important role, both in the form of literary references, and the so called “transpositions of art”, in its intent to create a total art.

Keywords

ES

modernismo hispánico; Rubén Darío; literatura y pintura; ekfrasis; sinestesia

EN

Hispanic modernism; Rubén Darío; literature and painting; ekphrasis; synesthesia

Discipline

• PHILOLOGY_&_LINGUISTICS: PHILOLOGY & LINGUISTICS

• Publisher: Charles University in Prague, Faculty of Arts, Czech Republic
• Journal: Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
• Year: 2016
• Volume: Special Issue: El mundo de la literatura
• Pages: 61-73

Contributors

author

Salvador Alvaro

• catedrático de la Universidad de Granada (España)