Art and Humanism in the Work of Tzvetan Todorov

• Authors: Czobor-Lupp Mihaela
• Languages of publication: EN

Abstracts

EN

In reaction to what he defines as the modern (anti-humanistic) totalitarian frame of mind, characterized by scientism, Manicheism, and aestheticism, the French critic and historian of ideas, Tzvetan Todorov engages in an ambitious project of rethinking humanism. A (post-Romantic) view of art that retains its representational role, its intersubjective and truth-disclosive power, and that does not betray the humanism that marked the debut of modernity, plays a central role in this enterprise. I argue in this paper that, through his interpretation of the works of different modern painters, Todorov reconstructs an artistic gaze, a way of looking at the world, that can nourish a humanistic sensibility in modern societies. This humanistic artistic gaze pluralizes the representational space of the human without failing to develop a common narrative about humanity. In tune with the values of what I call quotidian humanism, it is a gaze that can redeem the meaning and the sacred dimension of our most elemental quotidian gestures and activities. More than anything else, it is a gaze that refuses to reduce the richness and even the ambiguity of an individual’s presence and life to an idea or a doctrine and that chooses to see other human beings not with a moralizing eye, but with love, even kindness, for their complex and concrete humanity.

Keywords

EN

totalitarian frame of mind; modern art; artistic gaze; quotidian humanism; Enlightenment; universalism

• Publisher: Instytut Filozofii i Socjologii Polskiej Akademii Nauk; Fundacja Filozofia Na Rzecz Dialogu
• Journal: Dialogue and Universalism
• Year: 2024
• Issue: 2
• Pages: 279-302

Contributors

author

Czobor-Lupp Mihaela

• Department of Political Science at Carleton College, MN, USA