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2012 | 13 - "Stare" i "nowe" mocarstwa w Afryce - stygmaty kulturowe, religijne, polityczne, ekonomiczne i społeczne | 575-596

Article title

Południowa Afryka - Królestwo złota i diamentów i jego ikonografia

Content

Title variants

EN
South Africa - The Kingdom of gold and diamonds, and its iconography

Languages of publication

PL

Abstracts

EN
The aim of this article is a brief introduction to the iconography of the national identity, created by the white South Africans, who are the descendants of the Dutch settlers, who are commonly known and referred to as Afrikaners in South Africa. Among the most interesting and simultaneously representative paintings and the most obvious examples that one can mention are the works done by Charles Davidson Bell (1813-1882) e.g.: Landing of van Riebeeck at the Cape of Good Hope or Zulu attack on the Voortrekker camp. A good example of a piece of art work with an air and character of a true monument-mausoleum is a monumental sculpture called the Voortrekker Monument, which was created between 1937 and 1949. This object is located in the capital of South Africa i.e. in Pretoria and it presents the events connected with the so-called Great Trek (Afrikaans: Die Groot Trek). Another very essential art work is the interior decoration of the Old Mutual building in Cape Town dating from the late 1930's. The author of the frescoes inside the building often referred to as the „Afrikaner nationalist Sistine Chapel" is Le Roux Smith (1914-1963). The outside sculpture is also connected with the iconography of Africa and it was sculptured by Ivan Mitford-Barberton (1896-1976). At present all the above-mentioned pieces of art work make up the somewhat inconvenient and embarrassing heritage of the era of apartheid.

Keywords

Contributors

  • Katedra Historii Sztuki, Uniwersytet Łódzki

References

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  • Berman E., Art and Artists of South Africa, Cape Town 1996.
  • Evans R., Perspectives on Post-Colonialism in South Africa: the Voortrekker Monument's Classical Heritage, w: L. Hardwick, C. Gillespie (eds.), Classics in Post-Colonial Worlds, Oxford University Press, Oxford 2007.
  • Freschi F., Big Business Beautility: The Old Mutual Building, Cape Town, South Africa, „Journal of Decorative and Propaganda Arts" 1994, Vol. 20.
  • Gąssowski A., RPA, Warszawa 2006.
  • Heymans R., The Voortrekker Monument, Pretoria, Pretoria 1986.
  • Kowalski M.A., Diamenty we krwi, Warszawa 1999.
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  • Marx C., Oxwagon Sentinel: Radical Afrikaner Nationalism and the History of the Ossewabrandwag, Pretoria 2008.
  • McClintock A., Mufti A., Shohat E., (eds.), Dangerous Liaisons: Gender, Nation, and Postcolonial Perspectives, Minneapolis 1997.
  • Mutual Heights, „Architect & Builder" February-March 2005.
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  • O'Meara D., Volkskapitalisme: Class, Capital, and Ideology in the Development of Afrikaner Nationalism, 1934-1948, Johannesburg 1983.
  • Pawłowska A., O wspólnej przestrzeni poszukiwań artystycznych w "białej" i „czarnej" sztuce Republiki Południowej Afryki, w: A. Żukowski (red.), Przestrzeń i granice we współczesnej Afryce, „Forum Politologiczne", t. 10, Olsztyn 2010.
  • Special Supplement. Old Mutual in New Home, „Cape Times" 30 January 1940.
  • Steenkamp A., The Great Trek, „Cape Monthly Magazine" September 1876. Vermeulen I., Man En Monument: Die Lewe En Werke Van Gerhard Moerdijk, Pretoria 1999.
  • Walker C., Women and Resistance, Cape Town 1991.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-6728a8d4-519d-4caf-b73a-9a7d88959a34
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