Paleograficzna notacja rytmiczna śpiewu gregoriańskiego z Nonantoli

• Authors: Sławecki Michał

Title variants

EN

PALEOGRAPHICAL RHYTHMIC NOTATION OF GREGORIAN CHANT FROM NONANTOLA

• Languages of publication: PL

Abstracts

EN

Notation of Nonantola, next to the St. Gallen, Laon and Chartres is one of paleographic rhythmic notation of gregorian chant. It was used in medieval scriptorium in Verona. Its main characteristic is inclined scripture with a diagonal line of elevation and vertical line of deposition. Each neumatic sign is connected with a vocal of syllables to which it belongs. Virga has the approximative ability to adapt to the melody line in syllabic contexts. It amazes multiplicity of certain forms of paleographic: 9 ways to express a neuma with one sound (including 4 types of virga: acuta, inferior, curva and gravis), pes (3 types), clivis (8 types), torculus (10 types), porrectus (5 types ), scandicus (5 types), salicus (2 types), climacus (three and four-sounds - 8 types). Notation distinguished qualities of liquid, illiquid and partly liquid and is able to show some cases of neumatic separation and articulation. The repertoire, which doptrwał to our times is fragmentary. Neumatic signs have been systematized and explained in modern times by Ave Moderini and, above all, Nino Albarosa.

Keywords

PL

paleograficzna notacja muzyczna; notacja rytmiczna; Nonantola; śpiew gregoriański; tabula neumarum; skryptorium w Weronie; semiologia gregoriańska

EN

paleographical musical notation; rhythmic notation; Nonantola; gregorian chant; tabula neumarum; scriptorium in Verona; gregorian semiology

• Publisher: Stowarzyszenie Polskich Muzyków Kościelnych
• Journal: Musica Ecclesiastica
• Year: 2016
• Issue: 11
• Pages: 93-108

Contributors

author

Sławecki Michał

• Uniwersytet Muzyczny Fryderyka Chopina w Warszawie