EN
The paper aims at analysis discursive representation of love between men and women, presented in latest, top disco polo songs (2014–2016). An analysis shows love in disco polo music from the broadest perspective, brings up hidden constructs which govern relations between sexes and then compares disco polo’s love with similar Catholic and modern models. The article shows how works love hierarchy in disco polo and what kind of symbolic capital is desirable. Additionally paper says about language usage in direct communication between sexes and its semantic.