Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2014 | 3. Global Modernism(s) Approaches to trans-local / trans-cultural / trans-civilizational dimension of Modernist movements | 1-26

Article title

Souls and shamans in space. The cosmopolitan, prismatic psychology of Malcolm Lowry

Content

Title variants

Languages of publication

EN

Abstracts

EN
Inspired by a plethora of multicultural, international influences – especially Russian literary sources – the twentieth-century English late-Modernist novelist and poet, Malcolm Lowry (1909-57) was stimulated by a prismatic, multifaceted approach to his writing. Although relatively under-rated and non-canonical, he was endowed with an effervescent, encyclopaedic, and eclectic mind-set which combined conceptions of temporal with spiritual, on the one hand, and terrestrial with cosmic dimensions of his environment, on the other. In reinterpreting his vision of the world, we encounter psychological, psychogeographic, and anthropological forces at work in his approach to what was to become Jacob Bronowski’s Ascent of Man. In tracing Malcolm Lowry’s life-long quest for a harmony to unite Man’s natural, supernatural, and celestial roots, we must embark upon a spiritual odyssey on a mystic mission to attain truth and salvation. This journey leads us to appreciate Lowry’s skilful synthesis – in his pursuit of souls and shamans – of the seemingly diverse domains of anthropology, psychoanalysis, the Cabbala, and even voodoo in his ethnopoetic novels, Under the Volcano and Dark as the Grave wherein my Friend is Laid (1945-68).

Contributors

  • University of Brighton

References

  • ACKERLEY, Chris, and Clipper, Lawrence J., A Companion to “Under the Volcano”, Vancouver: University of British Columbia Press, 1984.
  • ATWOOD, Mary Anne, Hermetic Philosophy and Alchemy, New York, 1960.
  • AZTEC GALLERY GUIDE, London: Royal Academy of Arts, 2002.
  • BAREHAM, Tony, Malcolm Lowry, Basingstoke: Macmillan, 1989.
  • BOWKER, Gordon, Pursued by Furies: A Life of Malcolm Lowry, London: Flamingo, 1994.
  • CROSS, Richard K., Malcolm Lowry: A Preface to His Fiction, London: Athlone, 1980.
  • DAHLIE, Hallvard, “A Norwegian at Heart: Lowry and the Grieg Connection,” in Sherrill Grace, ed., Swinging the Maelstrom: New Perspectives on Malcolm Lowry, London: McGill-Queen’s University Press, 1992.
  • DAY, Douglas, Malcolm Lowry: A Biography, Oxford: Oxford University Press, 1973.
  • DODSON, Daniel B., Malcolm Lowry, London: Columbia University Press, 1970.
  • DOMESTICO, Anthony, ‘The Russian Point of View’, available at: http://modernism.research.yale.edu/wiki/index.php/%22The_Russian_Point_of_View %22.
  • DOWNIE, R. Angus, Frazer and the Golden Bough, London: Victor Gollanz, 1970.
  • DOWNIE, R. Angus, James George Frazer: The Portrait of a Scholar, London: Watts, 1940.
  • DOYEN, Victor,“Elements Towards a Spatial Reading,” in Malcolm Lowry: “Under the Volcano”: A Casebook, ed. Gordon Bowker, Basingstoke: Macmillan, 1987, 101-13.
  • ELIADE, Mircea, The Sacred and the Profane, trans. William R. Trask. New York: Harper and Brothers, 1959.
  • ELIADE, Mircea, Shamanism, Archaic Techniques of Ecstasy, trans. Willard R. Trask, New York: Pantheon Books, 1964.
  • ELIADE, Mircea, “The Yearning for Paradise in Primitive Tradition,” in The Making of Myth, ed. Richard M. Ohmann, New York: G. P. Putnam, 1962.
  • EPSTEIN, Perle S., The Private Labyrinth of Malcolm Lowry: “Under the Volcano” and the Cabbala, New York: Holt, Rinehart and Winston, 1969.
  • FENNELL, John, “Alexander Sergeyevich Pushkin, The Bronze Horseman”, in Pushkin: Selected Verse. London: Bristol Classical, 2001, 233-55.
  • FOXCROFT, Nigel H., “The Principle of Conflict in Certain Historical and Lyrical works of A. S. Pushkin: A Thematic and Linguistic Investigation”, M.Phil. thesis, University of Sheffield, 1984.
  • FOXCROFT, Nigel, “The Shamanic Psyche of Malcolm Lowry: An International Odyssey”, CRD Research News 26, Summer 2010.
  • FROSH, Stephen, “Psychoanalysis in Britain: ‘The rituals of destruction’”, in David Bradshaw, ed., A Concise Companion to Modernism, Oxford: Blackwell, 2003, 116-37.
  • GOGOL, Nikolai Vasilyevich, Dead Souls: A Poem, Oxford: Oxford University Press, 1998.
  • GOGOL, Nikolai Vasilyevich, “The Nose”, in Diary of a Madman and Other Stories, Harmondsworth: Penguin, 1975, 42-70.
  • GRACE, Sherrill E.,“The Luminous Wheel,” in Malcolm Lowry: “Under the Volcano”: A Casebook, ed. Gordon Bowker, Basingstoke: Macmillan, 1987,152-71.
  • GRACE, Sherrill E., The Voyage That Never Ends: Malcolm Lowry’s Fiction. Vancouver: University of British Columbia Press, 1982.
  • HEIMANN, Judith M., The Most Offending Soul Alive: Tom Harrisson and His Remarkable Life, Honolulu: University of Hawaii Press, 1999.
  • JAY, Martin, Conrad Aiken: A Life of His Art, Princeton: Princeton University Press, 1962.
  • LANE, Richard J., Reading Walter Benjamin: Writing Through the Catastrophe, Manchester: Manchester University Press, 2005.
  • LOWRY, Malcolm, Selected Letters, ed. Harvey Breit and Margerie Bonner Lowry, London: Jonathan Cape, 1965.
  • LOWRY, Malcolm, Sursum Corda!: The Collected Letters of Malcolm Lowry, ed. Sherrill E. Grace, 2 vols. London: Jonathan Cape, 1995.
  • LOWRY, Malcolm, Under the Volcano, London: Penguin, 1962.
  • MACCLANCY, Jeremy, “’Anthropology’: ‘The latest form of evening entertainment’”, in David Bradshaw, ed., A Concise Companion to Modernism, Oxford: Blackwell, 2003, 75-94.
  • MCCARTHY, Patrick A., Forests of Symbols: World, Text and Self in Malcolm Lowry’s Fiction, Athens, USA: University of Georgia, 1994.
  • MCCARTHY, Patrick A., ed., Malcolm Lowry’s “La Mordida”: A Scholarly Edition. London: University of Georgia Press, 1996.
  • MICHAELSON, Susan, ‘Shamanism, the Visual Arts and the Healing Process’, Proceedings of the International Interdisciplinary Scientific Symposium, “Psychology and Social Adaptations of (Neo)Shamans in the Past and the Present”, Ethnological Studies of Shamanism and Other Indigenous Spiritual Beliefs and Practices 14 (1), August 2010, 80-89.
  • MILLER, Mary, and Taube, Karl, An Illustrated Dictionary of the Gods and Symbols of Ancient Mexico and the Maya, London: Thames and Hudson, 1997.
  • MOTA, Miguel, and Tiessen, Paul, eds, The Cinema of Malcolm Lowry: A Scholarly Edition of Lowry’s “Tender is the Night”, Vancouver: University of British Columbia Press, 1990.
  • ORR, John,“Lowry: The Day of the Dead,” in The Making of the Twentieth-Century Novel, Basingstoke: Macmillan, 1987, 148-68.
  • PROTOPOPOVA, Darya, ‘Virginia Woolf’s Versions of Russia’, Postgraduate English 13, March 2006, available at: http://www.dur.ac.uk/postgraduate.english/DaryaProtopopovaArticle.pdf.
  • RUBINSTEIN, Roberta, ‘Virginia Woolf and the Russian Point of View’, Comparative Literature Studies 9.2, June 1972, 196-206, available at: http://www.jstor.org/stable/4024599410.2307/40245994.
  • SPENCE, Lewis, Arcane Secrets and Occult Lore of Mexico and Mayan Central America, Detroit: Blaise Ethridge Books, 1973.
  • SPIVEY, Ted R., The Writer as Shaman: The Pilgrimages of Conrad Aiken and Walker Percy, Macon, GA, USA: Mercer University Press, 1986.
  • SOUSTELLE, Jacques, The Daily Life of the Aztecs on the Eve of the Spanish Conquest, trans Patrick O’Brian, London: Weidenfield and Nicolson, 1961.
  • SUGARS, Cynthia, “The Road to Renewal: Dark as the Grave and the Rite of Initiation,” in Sherrill Grace, ed., Swinging the Maelstrom: New Perspectives on Malcolm Lowry, London: McGill-Queen’s University Press, 1992, 149-62.
  • TUCKER, Michael, Dreaming with Open Eyes: The Shamanic Spirit in Twentieth-Century Art and Culture, London: Aquarian Thorsons, Harper Collins, 1992.
  • TUCKER, Michael, “Towards a Shamanology: Revisioning Theory and Practice in the Arts,” in H. Van Koten, ed., Proceeds of Reflections on Creativity, 21 and 22 April, 2006, Dundee: Duncan of Jordanstone College, 2007.
  • VICKERY, John B., The Literary Impact of “The Golden Bough’”, Princeton, New Jersey: Princeton University Press, 1973.
  • WOOLF, Virginia, ‘The Common Reader’, available at: http://ebooks.adelaide.edu.au/w/woolf/virginia/w91c/chapter16.html.
  • WUTZ, Michael, “Archaic Mechanics, Anarchic Meaning: Malcolm Lowry and the Technology of Narrative,” in Joseph Tabbi and Michael Wutz, eds, Reading Matters: Narrative in the New Media Ecology, Ithaca: Cornell University Press, 1997.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-97d5af76-9b57-4a03-af33-f7afb0900b48
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.