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2014 | 17 | 1 | 227-237

Article title

Knowledge and Creativity in Digital Society

Title variants

Languages of publication

EN

Abstracts

EN
This work deals with the topic of creativity understood as a complex path carried out along all lifetime and that cannot be attributable to the mere accumulation of concepts. The changing social scenario promotes the dimension of the possible, the nonlinearity, the overcoming of preestablished trajectories of knowledge by triggering processes of meta-knowledge and metarepresentation, a dimension in which the creative mind finds a breeding ground. The work explores the relationship between technology and creativity in consideration of the peculiar segment, the artistic one, where with greater evidence the work of the creative is unfolded.

Keywords

Publisher

Year

Volume

17

Issue

1

Pages

227-237

Physical description

Dates

published
2014-07-01
online
2014-12-11

Contributors

  • Pegaso on line University in Naples
  • Department of Human, Philosophical and Education Sciences, University of Salerno

References

  • 1. Arieti, S. (1964). The rise of creativity: from primary to tertiary process. In Contemporary Psychoanalysis, 1(1), (pp. 51-68).
  • 2. Arieti, S. (1969). Il Sé intrapsichico Affettività cognitività e creatività nella salute e nella malattia mentale (The Intrapsychic Self: Feeling, Cognition, and Creativity in Health and Me) Bollati Boringhieri, Torino 1969, 1979 (2nd ed.), (p. 142).
  • 3. Arieti, S. (1979). Creatività. La sintesi magica (Creativity: The Magical Synthesis). Il Pensiero Scientifico Editore, Roma 1979, 1990 (2nd ed.), (pp. 337; 338).
  • 4. Baricco, A. (2008). I barbari. Saggio sulla mutazione, Prima edizione nell’Universale Economica. Milano 2008, (p. 92).
  • 5. Baudrillard, J. (1994). Lo Xerox e l’Infinito (Xerox and Infinity). In A. Ferraro & G.Montagano (eds.), La scena immateriale. Linguaggi elettronici e mondi virtuali, (p. 158.). Costa & Nolan, Genova.
  • 6. Benjamin, W. (1966). L’opera d’arte nell’epoca della sua riproducibilità tecnica, (The work of art in the age of mechanical reproduction). Einaudi, Torino 2000 (First published in 1966), (pp. 184).
  • 7. Capucci, P.L. (1994). Il corpo tecnologico (The technological body). Baskerville, Bologna, (p. 33).
  • 8. Caronia, A. (1996). Il corpo virtuale (The virtual body), Florence, Einaudi, Torino, (p. 109).
  • 9. De Kerckove, D. (1993). Brainframes: mente, tecnologia, mercato, (Brainframes: technology, mind and business). Baskerville, Bologna.
  • 10. Feyerabend, P.K. (1984). Scienza come arte (Science as an Art). Laterza, Bari 1984, (p. 4).
  • 11. Ghil, R. (1909). De la poésie scientifique. Gastein-Serge, Paris.
  • 12. Goodman, N. (1978). Vedere e costruire il mondo, (Ways of worldmaking). Laterza, Bari 1988, (p. 69).
  • 13. Heidegger, M. (1953). Scienza e meditazione (Science and reflection), “Saggi e discorsi”, Mursia.Milano, 1976, (p. 17).
  • 14. Infeld, L. (1952). Albert Einstein. Einaudi, Torino 1959, (p. 207).
  • 15. Kevin, K. (2011). Quello che vuole la tecnologia (What Technology wants). Codice Edizioni, (p. 27; 34; 75).
  • 16. Kris, E. and Kurz, O. (1980). La leggenda dell’artista, (The legend of the artist). Editore Boringhieri, Torino.
  • 17. Laurel, B. (1991). Computers as Theater. Addison-Wesley, New York, (p. 526).
  • 18. Peirce, C.S. (1978). Collected papers. Harvard University Press, Cambridge, (p. 7).
  • 19. Rheingold, H. (1993). La realtà virtuale (Virtual reality). Bologna, Baskerville, (p. 61).
  • 20. Weber, M. (1976). La politica come professione (Politics as a Vocation), “Il lavoro intellettuale
  • 21. Winnicott, D.W. (1973). Il bambino e il mondo esterno (The Child, the Family and the Outside World). Giunti and Barbera, Florence 1973, (p. 109).
  • 22. Zola, É. (1880). Le Roman expérimental, Il romanzo sperimentale. Pratiche Editrice, Milan 1980.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_eurodl-2014-0015
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