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2011 | 60 | 1-2(237-238) | 92-103

Article title

FORGOTTEN NINETEENTH-CENTURY DRAMAS AS A SOURCE OF INFORMATION ON THEATRE (Zapomniane XIX-wieczne dramaty jako zródlo informacji o teatrze)

Authors

Selected contents from this journal

Title variants

Languages of publication

PL

Abstracts

EN
Numerous theatrical plays feature autothematic motifs. Motifs of this kind can serve as an indirect source of knowledge on theatre life, actors, theatre entrepreneurs, audience behaviour and even repertories of a given epoch. The article analyses several examples of this sort, organised into three sets. The first group consists of dramas in which at least one character is a theatre man: an actor, an entrepreneur, a dancer, or even a playwright (for example: two plays by Ludwik Adam Dmuszewski, Aktorowie z Elizejskich Pól, 1801, and Slomiany czlowiek, czyli Teatr w Sochaczewie, 1821; Serdeczna przyjaciólka, 1852, by Stanislaw Boguslawski; Natura wilka wyciaga z lasu by Wladyslaw Syrokomla, 1860). The second group is made up of the dramas whose action takes place at a theatre (for example, Zareczyny aktorki by Józef Korzenowski, 1845). Finally, the third group comprises dramas in which there are specific references to theatre life, audience behaviour, repertories, or even particular performances (for example: Figlacki udany ojciec by Ludwik Adam Dmuszewski, 1819; Panna mezatka by Józef Korzeniowski, 1844; Stara romantyczka, 1837, and Stoliki magnetyczne, 1853, by Stanislaw Boguslawski).

Year

Volume

60

Issue

Pages

92-103

Physical description

Document type

ARTICLE

Contributors

  • Halina Waszkiel, Akademia Teatralna im. A. Zelwerowicza w Warszawie, Wydzial Sztuki Lalkarskiej z siedziba w Bialymstoku, ul. H. Sienkiewicza 14, Bialystok, Poland

References

Document Type

Publication order reference

Identifiers

CEJSH db identifier
11PLAAAA09814

YADDA identifier

bwmeta1.element.fefa58d1-e484-32c0-a9f5-f1dad6a8eb88
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