EN
In the paper the following issues are discussed: 1. Gumilev’s and Annensky’s dramas in the context of ‘poetic theatre’; 2. Common features of “Acteon” and “Famira-kifared”; 3. Points of disagreement between the playwrights (“Acteon” and “The Poisonned Tunic” against the background of Famira); 4. The figure of the artist as the protagonist of the dramas under consideration.