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2016 | 10 | 2 | 315-327

Article title

Ta szkoła symbolicznie rozstrzelała się sama… Filmy Słoń, Carrie, Nad krawędzią w dyskusji o problemach współczesnej szkoły i młodzieży podczas zajęć z pedagogiki na specjalnościach nauczycielskich

Content

Title variants

EN
Ta szkoła symbolicznie rozstrzelała się sama… Filmy Słoń, Carrie, Nad krawędzią w dyskusji o problemach współczesnej szkoły i młodzieży podczas zajęć z pedagogiki na specjalnościach nauczycielskich

Languages of publication

PL

Abstracts

PL
In the paper, apart from interpreting the message of films: Carrie (directed by Brian De Palma), Over the Edge (directed by Jonathan Kaplan) and Elephant (directed by Gus Van Sant), I also describe how classes can be arranged around them. Thus, I join the debate on the space for such productions in education, especially in the methodology for training teachers-to-be. I indicate possible applications of feature films and a wide spectrum of benefits that follow from this approach. In fact, movies are still an undervalued but very effective didactic tool that engages pupils in authentic intellectual tasks that deal with important content and issues.
EN
In the paper, apart from interpreting the message of films: Carrie (directed by Brian De Palma), Over the Edge (directed by Jonathan Kaplan) and Elephant (directed by Gus Van Sant), I also describe how classes can be arranged around them. Thus, I join the debate on the space for such productions in education, especially in the methodology for training teachers-to-be. I indicate possible applications of feature films and a wide spectrum of benefits that follow from this approach. In fact, movies are still an undervalued but very effective didactic tool that engages pupils in authentic intellectual tasks that deal with important content and issues.

Year

Volume

10

Issue

2

Pages

315-327

Physical description

Dates

published
2016-12-15

Contributors

  • Uniwersytet im. Adama Mickiewicza w Poznaniu

References

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  • Creating Effective Teaching and Learning Environments: First Results from TALIS, http://www.oecd.org/edu/school/creatingeffectiveteachingandlearningenvironmentsfirstresultsfromtalis.htm [dostęp: 18.08.2015].
  • Cunneen J. (2003). “Elephant” is elegiac. “National Catholic Reporter” 21 November.
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  • Dymond E.J. (2013). An examination of the use of gendered languagein Stephen King’s CARRIE. “The Explicator” Vol. 71, No. 2.
  • Ehlers L.A. (1981). „Carrie”. Book and film, “Literature/Film Quarterly” No 1.
  • http://film.onet.pl/ wiadomosci/glosy-prasy/x5rj4, dostęp: 18.08.2015.
  • http://stopklatka.pl/wiadomosci/-/6964299,nagrodzony-zlota-palma-w-cannes-slon-juz-w-kinach, dostęp: 18.08.2015.
  • http://www.imdb.com/title/tt0079688/trivia, dostęp: 18.08.2015.
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  • Jenkins D. (2012). The Nightmare and the narrative. “Dreaming” Vol. 22, No. 2.
  • Jones K. (2003). Corridors of powerlessness: Elephant. “FilmComment” No. 9–10.
  • Kaçkaya A., Ünlü I., Akar M. S., Özturan Sagirli M. (2011). The effect of school and teacher themed movies on pre-service teachers’ professional attitudes and perceived self-efficacy. “Educational Sciences: Theory & Practice” 11(4).
  • King S. (1974). Carrie. New York.
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  • CyberParks as a new context for smart education: theoretical background, assumptions and preservice teachers’ rating. “American Journal of Educational Research” No. 3(12).
  • Koon B., Finefrock J.A. (1973). Mousepacks: Kids on a Crime Spree. “San Francisco Examiner” 11 Nov.
  • Melosik Z. (2013). Kultura popularna i tożsamość młodzieży. W niewoli władzy i wolności. Kraków.
  • Porton R. (2003). Festival de Cannes 2003. “Cineaste” Fall.
  • Rich J.A. (2012). Shock corridors: the new rhetoric of horror in Gus Van Sant’s Elephant, “The Journal of Popular Culture” Vol. 45, No. 6.
  • Richardson V. (1997). Constructivist teaching and teaching education: Theory and practice. [In:] V. Richardson (ed.). Constructivist Teacher Education: Building a World of New Understandings. Bristol.
  • Rorrer A.S., Furr S. (2009). Using film as a multicultural awareness tool in teacher education. “Multicultural Perspectives” 11(3).
  • Russell III W.B. (2012). The art of teaching social studies with film. “The Clearing House” 85.
  • Sacks M. (2009). Over the Edge. “Vice”, 1 September, http://www.vice.com/read/over-the-edge-134-v16n9, dostęp: 18.08.2015.
  • Stephens Ch. (2005). Recommended: Over the Edge. “FilmComment”.
  • Stoddard J.D., Marcus A.S. (2010). More than „showing what happened”: exploring the potential of teaching history with film. “The High School Journal” Jan/Feb..
  • Wonderly M. (2009). Children’s film as an instrument of moral education. “Journal of Moral Education” Vol. 38, No 1.
  • Zamojska E. (2011). Szkoła w filmie. Czy tylko fikcja? Analiza obrazu rzeczywistości szkolnej w filmie „Klasa” („Entre les murs”). [W:] W. Jakubowski, S. Jaskulska (red.). Kultura mediów, ciało i tożsamość – konteksty socjalizacyjne i edukacyjne. Kraków.
  • Filmografia
  • De Palma B. (reż.), Carrie, USA 1976.
  • Kaplan J. (reż.), Nad krawędzią, USA 1979.
  • Morgen B. (reż.), Kurt Cobain: Montage of Heck, USA 2015.
  • Van Sant G. (reż.), Słoń, USA 2003.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_kse_2016_10_24
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