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Journal

2017 | 21 | 2 |

Article title

GOTHIC FIELDING? PHILIP JAMES DE LOUTHERBOURG’S TOM JONES

Authors

Content

Title variants

PL
GOTYCKI FIELDING? TOM JONES WEDŁUG PHILIPA JAMESA DE LOUTHERBOURGA

Languages of publication

EN

Abstracts

EN
This article confronts P.J. de Loutherbourg’s drawings of the selected scenes from Tom Jones with the possible “Gothic” content in Henry Fielding’s novel. Commenting on Fielding’s pictorialism, I argue that the most suitable scene from Tom Jones would have been the actual Gothic mansion of Mr. Allworthy, but the scene does not attract the illustrator’s attention. Then, I discuss de Loutherbourg’s patterns of Gothicizing the selected scenes in the manner of Salvator Rosa, which in the original depend on the mock-heroic or the grotesque. The article concludes with raising more general questions about the paradigms of de-contextualization and re-contextualization in late 18th century print market and book illustration.
PL
Artykuł poświęcony jest trzem „gotyckim” ilustracjom P.J. de Loutherbourga, przedstawiającym wybrane sceny z powieści Tom Jones Henry’ego Fieldinga. Artykuł podejmuje próbę odpowiedzi na pytanie, dlaczego ilustrator zrezygnował z ukazania gotyckich motywów obecnych w powieści Fieldinga, takich jak szczegółowy opis rezydencji Pana Allworthy’ego, i zamiast tego dokonał modyfikacji scen, które w wydaniu powieściowym nie mają z estetyką gotycką nic wspólnego. W konkluzji przypadek „gotyckiego Fieldinga” ukazany zostaje w kontekście istotnych zjawisk na rynku wydawniczym końca XVIII wieku.

Journal

Year

Volume

21

Issue

2

Physical description

Dates

published
2018-08-28

Contributors

author
  • Kazimierz Wielki University, Bydgoszcz

References

  • A Catalogue of Prints and Books of Prints. London: Hooper and Davis, 1780.
  • Battestin, Martin C. The Providence of Wit: Aspects of Form in Augustan Literature and the Arts. Oxford: Clarendon Press, 1974.
  • Battestin, Martin C. A Henry Fielding Companion. Westport and London: Greenwood Press, 2000.
  • Baudrillard, Jean. Simulacra and Simulation. Trans. Sheila Faria Glaser. Ann Arbor: The University of Michigan Press, 1994.
  • Cook, Daniel. “Authors Unformed: Reading ‘Beauties’ in the Eighteenth Century”. Philological Quarterly 89.2–3 (2010). Pp. 283-309.
  • Fielding, Henry. A Journey from this World to the Next. Ed. C. Rawson. London: Dent, 1973.
  • Fielding, Henry. The History of Tom Jones. A Foundling. Ed. M.C. Battestin, F. Bowers. Middletown: Wesleyan University Press, 1975.
  • Groom, Gloria. “Art, Illustration, and Enterprise in Late Eighteenth-Century English Art: A Painting by Philippe Jacques de Loutherbourg”. Art Institute of Chicago Museum Studies 18.2 (1992). Pp. 124-135.
  • Hilles, Frederick. “Art and Artifice in Tom Jones”, Imagined Worlds: Essays on Some English Novels and Novelists in Honour of John Butt. Ed. M. Mack, I. Gregor. London: Methuen, 1968. Pp. 91-110.
  • Hogle, Jerrold E. “The Ghost of the Counterfeit in the Genesis of the Gothic”. Gothic Origins and Innovations. Ed. A. L. Smith, V. Sage. Amsterdam and Atlanta: Rodopi, 1994. Pp. 23-33.
  • Lindfield, Peter N. “Imagining the Undefined Castle in The Castle of Otranto: Engravings and Interpretations”. Image [&] Narrative 18.3 (2017). Pp. 46-63.
  • Radcliffe, Ann. The Italian. Ed. E.J. Clery. Oxford: Oxford University Press, 2008.
  • Rawson, Claude Julien. Henry Fielding and the Augustan Ideal under Stress: “Nature’s Dances of Death” and Other Studies. London and Boston: Routledge and Kegan Paul, 1972.
  • Robertson, Scott. Henry Fielding: Literary and Theological Misplacement. Bern: Peter Lang, 2010.
  • Stein, Perrin, Mary Tavener Holmes. Eighteenth-Century French Drawings in New York Collections. New York: The Metropolitan Museum of Art, 1999.
  • Stevenson, John Allen. “Tom Jones, Jacobitism, and the Rise of Gothic”. Gothic Origins and Innovations. Ed. A.L. Smith, V. Sage. Amsterdam and Atlanta: Rodopi, 1994. Pp. 16-22.
  • Stewart, Philip. Engraven Desire: Eros, Image & Text in the French Eighteenth Century. Durham and London: Duke University Press, 1992.
  • The Beauties of English Prose. London: Hawes Clarke and Collins, S. Crowder, E. Law and G. Robinson, 1772.
  • The Beauties of Fielding: Carefully Selected from the Works of that Eminent Writer. London: G. Kearsley, 1782.
  • Van Ghent, Dorothy. The English Novel: Form and Function. New York: Rhinehart, 1953.
  • Walpole, Horace. The Yale Edition of Horace Walpole’s Correspondence. Ed. W.S. Lewis et al. 48 vols. New Haven and London: Yale University Press, 1937–1983.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_14746_p_2017_21_14009
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