Linguistic Processes in the Kaleidoscope of Spoken Language namely, on the Most Recent Trends in the Development of Russian and Ukrainian Languages

• Authors: Anna Horniatko-Szumiłowicz , Tetiana Monachowa

Title variants

PL

Procesy językowe w kalejdoskopie żywej mowy, czyli o najnowszych tendencjach w rozwoju języka rosyjskiego i ukraińskiego

• Languages of publication: EN

Abstracts

EN

In his book, Patrycjusz Pająk composes a Croatian film canon. His top list of the best Croatian feature films contains 15 pictures: Concert (1954) by Branko Belan, H–8... (1958) by Nikola Tanhofer, Train Without a Timetable (1959) by Veljko Bulajić, Rondo (1966) by Zvonimir Berković, The Birch Tree (1967) and Gold, Frankincense and Myrrh (1971) by Ante Babaja, Kaya (1967) and An Event (1969) by Vatroslav Mimica, Handcuffs (1969) by Krsto Papić, Occupation in 26 Pictures (1978) by Lordan Zafranović, The Rhythm of Crime (1981) by Zoran Tadić, The Melody Haunts My Memory (1981) by Rajko Grlić, What Iva Recorded (2005) by Tomislav Radić, Buick Riviera (2008) by Goran Rušinović, The Blacks (2009) by Goran Dević and Zvonimir Jurić. As a main criterion for building his own canon, the author takes the innovative character of the cinematic language and the rich symbolic imagery of the story.

PL

The paper looks into the current trends in the development of Russian and Ukrainian languages as discussed in the latest book authored by prof. Tetyana Kosmeda. The focus is on five aspects (distinguished by the above named researcher) of linguistic processes taking place at the moment within the Russian and Ukrainian language systems themselves such as: word manipulation, lexicographic issues, linguistic gender studies, the issue of spoken academic language and the language of teaching, and sociolinguistics. The validity of the research and the conclusions reached by prof. Tetyana Kosmeda were affirmatively verified, with great appreciation on the part of the author for the amazing precision and research skills of the Ukrainian linguist.

Keywords

EN

Croatian cinematography; Yugoslav cinematography; Croatian film canon; film modernism; cinematic language; Croatian cinematography; Yugoslav cinematography; Croatian film canon; film modernism; cinematic language

PL

linguistic processes; spoken language; Russian language; Ukrainian language; word manipulation; lexicography; linguistic gender studies; academic language; language of teaching; sociolinguistics

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Poznańskie Studia Slawistyczne
• Year: 2018
• Issue: 15

Dates

published

2019-03-28

Contributors

author

Anna Horniatko-Szumiłowicz

• Uniwersytet im. Adama Mickiewicza w Poznaniu

• https://orcid.org/0000-0003-1625-6193

author

Tetiana Monachowa

• Czarnomorski Uniwersytet Państwowy im. Piotra Mohyły w Mikołajowie

• https://orcid.org/0000-0001-9833-1833

References

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• Mac’ko, L.Ì., Sidorenko, O.M. (2003). Stilìstika ukraїns’koї movi. Red. L.Ì. Mac’ko. Kiїv: Viŝa škola.
• Parasuckaâ, M.I. (2011). Manipulâciâ i „manipulâtivnyj diskurs” v lingvistike: principy issledovaniâ. „Vestnik Udmurtskogo Unіversiteta. Ictoriâ i filologiâ”, vyp. 2, s. 125–129.
• Timenko, L. (2007). Leksikografìčnì pracì v Ìnternetì. „Leksikografìčnij bûleten’”, vip. HV, s. 58–62.
• Timošenkova, T.M., Rebrij, A.V. (1994). K voprosu o kačestvennoj ocenke kak lingvističeskoj kategorii. „Vestnik Har’kovskogo universiteta «Teoretičeskie aspekty kommunikativnoj deâtel’nosti»”, № 382, s. 127–133.
• Kosmeda, T. (2017). Lingvokalejdoskop: živye rečevye processy na materiale russkogo i ukrainskogo âzykov. Saarbrűcken: Lambert Academic Publishing, s. 13–14.

Identifiers

DOI

10.14746/pss.2018.15.18