Écrire la danse, danser la vie. 'Ego tango' de Caroline de Mulder

• Authors: Ryszard Siwek

Title variants

FR

Écrire la danse, danser la vie. 'Ego tango' de Caroline de Mulder

EN

Write with your dance - dance your life. Caroline de Mulder's Ego tango

• Languages of publication: PL

Abstracts

EN

Ego tango is the debut novel by a Belgian writer, Caroline de Mulder. In 2010, it won the most significant literary award in the country. The story is set in a closed circle of the Paris tango dancers. The present study examines the original narration of the novel and the construction of the plot, which are both subordinated to the introvert nature of the tango – a dance that becomes an addiction and an obsession. De Mulder’s text is an interesting example of a theoretical problem of the “correspondence of arts,” their mutual overlapping and co-dependence; in this particular case, literature and dance. This concerns both the music and the lyrics of the tangos, which constitute and integral component of the structure of the musical piece and determine the rhythm of the story being told, its atmosphere, mood and type of the relationship between the protagonists. The novel was inspired by the personal experience of the authoress – a tango dancer and was structured in accordance with the nature and the spirit of this dance.

FR

Ego tango is the debut novel by a Belgian writer, Caroline de Mulder. In 2010, it won the most significant literary award in the country. The story is set in a closed circle of the Paris tango dancers. The present study examines the original narration of the novel and the construction of the plot, which are both subordinated to the introvert nature of the tango – a dance that becomes an addiction and an obsession. De Mulder’s text is an interesting example of a theoretical problem of the “correspondence of arts,” their mutual overlapping and co-dependence; in this particular case, literature and dance. This concerns both the music and the lyrics of the tangos, which constitute and integral component of the structure of the musical piece and determine the rhythm of the story being told, its atmosphere, mood and type of the relationship between the protagonists. The novel was inspired by the personal experience of the authoress – a tango dancer and was structured in accordance with the nature and the spirit of this dance.

Keywords

PL

modern Belgian novel; autofiction; obsession; addiction; correspondence of arts

FR

modern Belgian novel; autofiction; obsession; addiction; correspondence of arts; modern Belgian novel; autofiction; obsession; addiction; correspondence of arts

• Publisher: Uniwersytet im. Adama Mickiewicza w Poznaniu
• Journal: Studia Romanica Posnaniensia
• Year: 2013
• Volume: 40
• Issue: 4
• Pages: 51-56

Dates

published

2013-01-01

Contributors

author

Ryszard Siwek

• Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej, Kraków

References

• Alain (1926): Système des beaux-arts, Paris : Gallimard.
• de Mulder, C. (2010): « Découvrez le courrier des auteurs », Le choix des libraires, http://www.lechoixdeslibraires.com/livre-91825-ego-tango.htm (consulté le 15 février 2013).
• de Mulder, C. (2010): Ego tango, Seyssel : Champ Wallon.
• Mertens, P., Javeau, C. (1976): « Y a-t-il une belgitude ? », Nouvelles Littéraires, no 2557.
• Quaghebeur, M. (1982): Alphabet des lettres belges de langue française, Bruxelles : Association pour la promotion des Lettres belges de langue française.
• Sábato, E. (1987): Pisarz i jego zmory, Kraków : Wydawnictwo Literackie.
• Salas, H. (1989): Le tango, Arles : Actes Sud.
• Souriau, E. (1969): La correspondance des arts. Eléments d’esthétique comparée, Paris : Flammarion.

Identifiers

DOI

10.14746/strop.2013.404.006