Creative Use of Sound in the Cinematic Adaptation of The Great Gatsby

• Authors: Lidia Kniaź
• Languages of publication: EN

Abstracts

EN

Sound design in film, described as “sound editing viewed artistically or aesthetically in terms of the shaping of the sound track in a film” (Buhler 2009, 430), is by definition a creative process demanding from its producers a great deal of inventiveness and aural imagination. Surprisingly, if one assumes that creativity is the key to successful sound design, it seems that very few contemporary soundtracks can be called successful at all. The goal of this paper is to examine the art of sound production in Baz Luhrmann‘s The Great Gatsby (2013) in terms of its creative use of sound. The analysis will focus on scenes from the movie in which sound does more to the overall impression and interpretation of the film than merely confirm the story that is told. Meanings of sound sequences in The Great Gatsby will be examined by in juxtaposition with selected plot elements. The sound in Luhrmann’s production is creative mostly because it serves unique and unexpected functions that make it different from what seems to be the usual cinematic practice. It correlates with images in an innovative way, plays with diegetic vs. non-diegetic distinction (which is applied in the score analysis), and creates certain sonic spaces through skillful editing. All these “subtle-but-meaningful cinemusical details” (Holbrook 2011, 252) allow for interpreting the film in contemporary contexts.

Keywords

EN

soundscape, ambidiegesis, score, micro sonic space.

• Publisher: Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
• Journal: New Horizons in English Studies
• Year: 2016
• Issue: 1

Dates

published

2016

online

2017-03-07

Contributors

author

Lidia Kniaź

• Maria Curie-Skłodowska University (UMCS) Lublin

editor

Aneta Okuń-Jaśkowiak

editor

Adam Głaz

editor

Lidia Kniaź-Hunek

editor

Anna Bendrat

editor

Ewelina Prażmo

editor

Przemysław Terejko

editor

Piotr Szczypa

editor

Grzegorz Czemiel

editor

Ewa Antoszek

editor

Justyna Galant

editor

Marta Komsta

editor

Edyta Frelik

editor

Agata Waszkiewicz

editor

Anna Oleszczuk

editor

Agata Waszkiewicz

other

Aneta Okuń-Jaśkowiak

References

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Identifiers

DOI

10.17951/nh.2016.1.79