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2018 | 49 | 3 | 239-254

Article title

„Przebudzenie” Kate Chopin, czyli „amerykańska Bovary”(?)

Content

Title variants

„Przebudzenie” Kate Chopin, czyli „amerykańska Bovary”(?)

Languages of publication

PL

Abstracts

EN
This article deals with the question of the so-called Bovarism in The Awakening, the famous novel written by Kate Chopin. When it was first published in 1899, it was universally condemned for its alleged obscenity, just like its French predecessor. It is true, however, that unlike Flaubert’s book, The Awakening did not find itself in the dock, faced with charges of immorality, but the hostile reviews condemned the novel to many decades of obscurity. In this article, I try to return to the question of parallels between the two novels, which can be seen on many levels. Some similarities concern both male and female characters, while others are to do with specific narrative decisions and solutions. The most conspicuous example of the latter is the suicidal death of both heroines.

Keywords

Year

Volume

49

Issue

3

Pages

239-254

Physical description

Dates

published
2019-04-09

Contributors

  • Uniwersytet Pedagogiczny im. KEN w Krakowie, Instytut Neofilologii, ul. Podchorążych 2, 30-084 Kraków

References

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  • Beer Janet, Nolan Elisabeth (red.), The Awakening: Sourcebook, Routledge, London 2007.
  • Beer Janet (red.), The Cambridge Companion to Kate Chopin, Cambridge University Press, Cambridge 2008.
  • Berman Jeffrey, Romanticizing Suicide in Kate Chopin’s “Awakening”, w: Surviving Literary Suicide, University of Massachusetts Press, Amherst 1999, s. 46–66.
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  • Fryer Judith, The Faces of Eve: Women in the Nineteenth Century American Novel, Oxford University Press, New York 1976.
  • Fusco Richard, Maupassant and the American Short Story: The Influence of Form at the Turn of the Century, Pennsylvania State University Press, University Park, PA 1994.
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  • Mazan Bogdan, Literackie transpozycje doświadczenia bowarystowskiego w miłości, w: Sztuka a erotyka, red. Teresa Hrankowska, Stowarzyszenie Historyków Sztuki, Warszawa 1995, s. 35–47.
  • Mazur Aneta, Nowelistyczny tryptyk Stefanii Chłędowskiej – zagubione ogniwo polskiego „bowaryzmu”? „Pamiętnik Literacki” 2012, nr 4, s. 27–44.
  • Nolan Elizabeth, The Awakening as literary innovation: Chopin, Maupassant and the evolution of genre, w: The Cambridge Companion to Kate Chopin, s. 118–131.
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  • Pollard Percival, Their Day in Court, Neale, New York 1909.
  • Rosowski Susan J., The Novel of Awakening, “Genre” 1979, nr 12, s. 313–332.
  • Seyersted Per, Kate Chopin: A Critical Biography, Louisiana State University Press, Baton Rouge 1980.
  • Showalter Elaine, Tradition and the Female Talent: The Awakening as a Solitary Book, w: Kate Chopin, red. H. Bloom, s. 22–23.
  • Skaggs Peggy, Kate Chopin, Twayne Publishers, Woodbridge 1985.
  • The Awakening: Complete, Authoritative Text With Biographical & Historical Contexts, Critical History, & Essays from Five Contemporary Critical Perspectives, red., Walker Nancy Bedford/St Martins, Boston 1993.
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  • Thornton Lawrence, The Awakening: A Political Romance, “American Literature” 1980, nr 52.1, s. 50–66.
  • Toth Emily, What we do and don’t know about Chopin’s life, w: The Cambridge Companion to Kate Chopin, s. 13–26.
  • Treu Robert, Surviving Edna: A Reading of the Ending of The Awakening, „College Literature”, wiosna 2000, nr 27.2, s. 21–36.
  • Walker, Nancy, A Critical History of The Awakening, w: Kate Chopin. The Awakening, s. 141–157.
  • Wheeler Kathleen, Kate Chopin: Ironist of Realism, w: Kate Chopin, red. H. Bloom, s. 119-144.
  • Witherow Jean, “Abysses of Solitude”: Chopin’s Intertextuality with Flaubert, “The Mississippi Quarterly”, wiosna 2011, nr 64.1–2, s. 87–107.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.ojs-doi-10_18778_1505-9057_49_13
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