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2024 | 41 | 231-248

Article title

William Henry Fox Talbot’s Photographs at the Kórnik Library

Content

Title variants

PL
Fotografie Williama Henry’ego Foxa Talbota w zbiorach Biblioteki Kórnickiej

Languages of publication

Abstracts

PL
Niniejszy artykuł analizuje osiem znajdujących się w zbiorach PAN Biblioteki Kórnickiej produktów zastosowania procesu kalotypii przez brytyjskiego pioniera fotografii Williama Henry’ego Foxa Talbota. Odtwarzając znajomość Władysława Zamoyskiego z rodziną Talbotów, nawiązaną w latach 30. XIX w., autorka pokazuje, w jaki sposób Zamoyski znalazł się w kręgu Talbotów oraz jak przełożyło się to na upowszechnianie się odbitek na papierze wśród polskich elit kulturalno-politycznych w latach 40. XIX w. Ponadto podkreśla kluczową rolę mediatorów politycznych, w tym dyplomatów i generałów, we wczesnej popularyzacji odbitek na papierze w Europie Środkowej. W tym kontekście zczególną uwagę poświęcono wujowi Talbota, dyplomacie Williamowi Thomasowi Hornerowi Foxowi Strangwaysowi, który utrzymywał bliski kontakt z Zamoyskim i, korzystając z własnych kanałów dyplomatycznych, pomagał popularyzować odbitki uzyskane metodą opracowaną przez Talbota w całej Europie.
EN
The paper examines eight calotype process specimens made by the British photographic pioneer William Henry Fox Talbot, now part of the Polish Academy of Sciences Kórnik Library collections. By retracing connections between Władysław Zamoyski and the Talbot family from the 1830s, it highlights how Zamoyski entered Talbot’s circle and how this facilitated the circulation of paper photographs among the Polish cultural and political elite in the 1840s. Furthermore, the article underscores the critical role of political mediators, such as diplomats and generals, in the early diffusion of paper photography in Central Europe. In this context, particular attention is given to Talbot’s uncle, the diplomat William Thomas Horner Fox Strangways, who maintained close contact with Zamoyski and, through his diplomatic channels, helped disseminate prints of Talbot’s process across Europe.

Year

Issue

41

Pages

231-248

Physical description

Dates

published
2024

Contributors

  • Libera Accademia di Belle Arti (LABA) in Florence

References

  • Arnold, H. J. P., William Henry Fox Talbot. Pioneer of Photography and Man of Science, London: Hutchinson Benham, 1977.
  • Batchen, Geoffrey, “Summer Pleasures: One of the Towers of Orleans Cathedral,” blog post published on August 19, 2016, in The Talbot Catalogue Raisonné, https://talbot.bodleian.ox.ac. uk/2016/08/19/summer-pleasures-one-of-the-towers-of-orleans-cathedral/.
  • Brusius, Mirjam, “Inscriptions in a Double Sense: The Biography of an Early Scientific Photograph of Script”, Nuncius 24, no. 2 (2009): 367-92.
  • Brusius, Mirjam, Katrina Dean, and Chitra Ramalingam, eds., William Henry Fox Talbot: Beyond Photography, New Haven: The Yale Center for British Art, 2013.
  • Czerwińska, Jadwiga, “Działalność charytatywna Towarzystwa Literackiego Przyjaciół Polski w Londynie u schyłku XIX wieku,” Annales Academiae Pedagogicae Cracoviensis Folia 17. Studia Historica I (2003): 303-310.
  • Daguerreotyp i Dijorama, Poznań: Fratelli Scherk, 1840, https://platforma.bk.pan.pl/en/search_results /998262?q%5Bq%5D=daguerre.
  • Dean, Katarina, “Lacock Abbey and the Country House Archive,” in William Henry Fox Talbot: Beyond Photography, edited by Mirjam Brusius, Katrina Dean and Chitra Ramalingam, New Haven: The Yale Center for British Art, 2013, 25-37.
  • Greville, Charles, Greville Memoirs, pars 3, Tomus 1, 117-120.
  • Hobson, Greg, “WHF Talbot and the Business of Photography,” in William Henry Fox Talbot. Dawn of the Photograph, edited by Russell Roberts and Greg Hobson, London: Scala Arts & Heritage Publishers, 2016.
  • The Journal of Amélina Petit de Billier, https://amelina.dmu.ac.uk/index.html.
  • Maimon, Vered, “Displaced ‘Origins’: William Henry Fox Talbot’s The Pencil of Nature,” History of Photography 32, no. 4 (2008): 314-25.
  • Online exhibition Scotland and the Photobook, The National Library of Scotland, https://www.nls. uk/exhibitions/scotland-and-the-photobook/sun-pictures/.
  • Schaaf, Larry J., “A Birthday, In Memoriam, & Building a House,” blog post published on September 23, 2016, in The Talbot Catalogue Raisonné, https://talbot.bodleian.ox.ac. uk/2016/09/23/a-birthday-in-memoriam-building-a-house/.
  • Schaaf, Larry J., Out of the Shadows: Herschel, Talbot and the Invention of Photography, New Haven and London: Yale University Press, 1992.
  • Schaaf, Larry J., The Pencil of Nature [Facsimile], New York: Hans P. Kraus Jr. Fine Photographs, 1989.
  • Schaaf, Larry J., “The Talbot Collection,” History of Photography 24, no. 1 (March 2000): 7-15.
  • Schaaf, Larry J., William Henry Fox Talbot: Photographs from the J. Paul Getty Museum, Los Angeles: The Getty Museum, 2002.
  • Sheehan, Tanya, and Andrés Mario Zervigòn, eds., Photography and Its Origins, London: Routledge, 2015.
  • Siegel, Steffen, First Exposures: Writings from the Beginning of Photography, edited by Steffen Siegel, translated by Martina Derviş and Malcolm Imrie, Los Angeles: The J. Paul Getty Museum, 2017.
  • Smith, Graham, “H. Fox Talbot’s ‘Scotch Views’ for Sun Pictures in Scotland,” in The Photobook from Talbot to Ruscha, edited by Patrizia di Bello, Colette Wilson, and Shamoon Zamir, 17-34. London: I. B. Taurus, 2012.
  • Smith, Graham, “In the Shadow of Scott: Talbot and the Wizard of the North,” in William Henry Fox Talbot: Beyond Photography, edited by Mirjam Brusius, Katrina Dean, and Chitra Ramalingam, 95-115. New Haven: The Yale Center for British Art, 2013.
  • Smith, Graham, Talbot, Amici and the Mystery of the Calotype, London: Taylor & Francis, 2002.
  • Smith, Graham, “Talbot’s Epigraph in The Pencil of Nature,” History of Photography 34, no. 1 (2010): 90-95.
  • Strobino, Francesca, “Early Photographic Accounts at the Prima Riunione degli Scienziati Italiani (Pisa, 1839),” RSF. Rivista di studi di fotografia, no. 12 (2021, printed in 2023): 164-82.
  • Strobino, Francesca, Investigating William Henry Fox Talbot’s Experiments in Photomechanical Printing, doctoral thesis, De Montfort University, 2024.
  • Talbot Catalogue Raisonné, https://talbot.bodleian.ox.ac.uk/.
  • The Correspondence of William Henry Fox Talbot, https://foxtalbot.dmu.ac.uk/project/project.html.
  • The National Museum in Cracow. Inv. no. MNK VIII-rkps-1266.
  • Trnková, Petra, “Metternich’s Collection of Talbot’s Photographs: A Lost Album as a Virtually Material Being,” Journal of the History of Collections 35, no. 2 (July 2023): 379-94.
  • Zamoyski, Władysław, Jenerał Zamoyski 1803-1868, vol. 3, 1832-1837, Poznań, 1914.

Document Type

Publication order reference

Identifiers

Biblioteka Nauki
58971223

YADDA identifier

bwmeta1.element.ojs-doi-10_34843_vwkz-jh92
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