PL
Disturbances in Art Communication and Noise Possibilities in Visual Aspect of Human LifeIn the text I make an approach to an aesthetics theory in which a main category is noise. For me this category is a synonym to a disturbance in process of human communication. My investigation is based on series of examples taken from history of art of last two centuries. In this text I scrutinize a field of image and works of such artists as Witosław Czerwonka, Józef Robakowski, Hollis Frampton and Bridget Riley.I try to show artistic practice in the light of such categorisation in which are three types of noise: epistemic, structural and selective. All of these are negative aspect of information. Name of the first is driven from “episteme” and is relative to knowledge, the second one describes structure and the third is about selection based on probability. All together they describe a certain aspect of art, especially avantgarde movements, formal experiments and counter culture.This kind of theory is inspired by cybernetics. In the frame of aesthetics of noise I try to adopt only three categories: information, noise and feedback. I do not measure capacity but relation between information and noise. My interest is in qualitative aspect of communication in art. I suggest that rules of noise appearance in situation of art values receiving are universal. Such strict conclusion rises from analysis of op-art, structural film and some of performance art examples.