Contributor details

Xenia Georgopoulou is a lecturer of 16th and 17th century European drama at the Department of Theatre Studies of the University of Patras, Greece. She specializes in Shakespeare (MA in Contemporary Practice of Shakespearean Theatre, University of Essex; MPhil in English Literature, The Shakespeare Institute, University of Birmingham; PhD in English Literature [also on Shakespeare], the Aristotle University of Thessaloniki, Greece). She recently com-pleted her post-doctoral research at the Univeristy of Athens on women as objects of male negotiations from Menander to the Cretan drama of the Renais-sance. She has presented papers in numerous conferences and has published various articles, mostly on Shakespeare, in Greece and abroad