«Comme des violons qui sanglotent» La langue de la nature comme modèle de communication infraverbale chez Jaroslav Kvapil, librettiste de la Rusalka d’Antonín Dvořák

• Authors: Galmiche Xavier

Title variants

EN

'LIKE SOBBING VIOLINS': NATURE'S LANGUAGE AS A MODEL OF INFRAVERBAL COMMUNICATION IN THE WORKS OF JAROSLAV KVAPIL, LIBRETTIST OF D'ANTONIN DVORAK'S RUSALKA

• Languages of publication: FR

Abstracts

EN

Dvorak's compositions created and spread around 1900, especially his opera Rusalka, touch on the aesthetic problem of rapport between the arts. What impact had the literary atmosphere here, especially on the librettist Jaroslav Kvapil? His multifaceted career, impregnated by the principles of the ‘parnassians' and symbolists, explains the eclecticism of his work - influenced by Maeterlinck and Schopenhauer, but also by Kytice by Erben.The poetic works of the young Kvapil, such as his Rusalka, document his links to an ideal of communication without words, which, disordered by its nature, is a type of non articulated language.

Keywords

EN

KVAPIL JAROSLAV; LIBRETTO; POETRY; WRITINGS

Discipline

• ARTS_&_ARCHITECTURE: ARTS & ARCHITECTURE

• Publisher: Institute of Ethnology, Czech Academy of Sciences
• Journal: Hudební věda (Musicology)
• Year: 2005
• Volume: 42
• Issue: 3-4
• Pages: 283-290
• Document type: ARTICLE

Contributors

author

Galmiche Xavier

• Xavier Galmiche, Hudebni veda, redakce, Etnologicky ustav AV CR, v.v.i., Puskinovo nam. 9, 160 00 Praha 6, Czech Republic

Identifiers

CEJSH db identifier

11CZAAAA09555