EN
This article presents a post-humanist analysis of Alex Garland’s 2014 movie Ex Machina with a specific focus on how the story, plot and style present post-humanist themes. The central issues discussed herein include the narrative and visual representation of the social and ethical questions related to the process of creating artificial intelligence with a humanoid appearance. The article discusses theses of post-humanism and post-humanization in the philosophical and aesthetic approach of the movie creators.