VÝZNAM KLAVÍRNEJ ŠKOLY JOHANNA NEPOMUKA HUMMELA PRE VÝVIN ESTETICKÝCH IDEÁLOV KLAVÍRNEJ INTERPRETÁCIE V 19. STOROČÍ

• Authors: Markéta Štefková

Title variants

EN

Importance of the piano textbook of Johann Nepomuk Hummel for the development of the aesthetic ideals of the piano performance in the 19th century

• Languages of publication: SK

Abstracts

EN

The author focuses attention on the importance of the piano textbook Anweisung zum PianoForte-Spiel by Johann Nepomuk Hummel (1828). Associating himself with the bel canto technique and Mozart’s poetics, Hummel enriched the repertoire with pianistic figures and created a specific lyric-cantabile idiomatic, which had a marked influence on the generation of early romantics. The author defines the status of Hummel ś textbooks in the field of the 18th - the 19th century. Particular attention is devoted to comparison with Franz Paul Rigler, from whom Hummel borrowed a number of examples, and also to comparing the performance ideals of Hummel and Beethoven, which became the basis for the paradigm of a new aesthetic ideal of piano playing, represented by Fryderyk Chopin and Franz Liszt. While Hummel gave essential stimuli to Chopin, Liszt took his inspiration rather from the poetics of Beethoven.

Keywords

EN

HUMMEL JOHANN N.; PERFORMANCE; TRACTATE; PIANO PLAYING; TECHNIQUE; AESTHETIC

• Publisher: Institute of Musicology, Slovak Academy of Sciences; VEDA, Publishing House of the Slovak Academy of Sciences
• Journal: Musicologica Slovaca
• Year: 2012
• Volume: 3 (29)
• Issue: 2
• Pages: 216 - 253

Contributors

author

Markéta Štefková

• Ústav hudobnej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak republic