DESAŤ DNÍ JÁNA JAMNICKÉHO SO SOVIETSKYM DIVADLOM

• Authors: Lindovská Nadežda

Title variants

EN

Ján Jamnický’s ten days with Soviet theatre

• Languages of publication: SK

Abstracts

EN

Art was perceived in the Soviet Union as a part of ideology and propaganda aimed not only at the domestic environment but also at foreign countries. State cultural policy was presented through a series of magnificent meetings and shows, to which also participants from abroad were invited. In the 1930s Moscow was the venue of several theatre festivals, which were attended by Czechoslovak theatre makers. In 1936 it was also attended by Ján Jamnický, the novice director of the Slovak National Theatre in Bratislava. The Slovak theatre maker saw a lot of inspiring productions and experienced the initial period of a campaign aimed at suppressing the freedom of artistic expression. He became a witness to the twilight of Russian theatre avant-garde. The present paper describes the theatre experiences of Ján Jamnický in the Soviet Union and their impact on his life, production and style of direction. It points to a series of overlooked facts which are necessary for a complete understanding of the historical and artistic context of Soviet theatre and Jamnický’s journey.

Keywords

EN

THEATRE; AVANT-GARDE; SOVIET THEATRE; DIRECTION; JAMNICKÝ JÁN; SLOVAK NATIONAL THEATRE

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2017
• Volume: 65
• Issue: 2
• Pages: 121 – 141

Contributors

author

Lindovská Nadežda

• Ústav divadelnej a filmovej vedy SAV, Dúbravská cesta 9, 841 04 Bratislava, Slovak Republic

Identifiers

DOI

10.1515/sd-2017-0008