SPEKTAKULÁRNA TAKOSŤ PERFORMANCIÍ MILANA ADAMČIAKA

• Authors: Fujak Július

Title variants

EN

Spectacular suchness of the performance art of Milan Adamčiak

• Languages of publication: SK

Abstracts

EN

This paper is focused on some aspects of the specific and unique concept of Milan Adamčiak’s (1946–2017) performance art, which embodies not only conscious references to the contemporary postmodern avant-garde of (neo-)Fluxus or conceptual art, but also certain spectacularly presented, sui generis dimensions of earthiness, surprising playfulness, and humorous controversy. Besides a selective, model presentation of his solo and collective performances and happenings, the author discusses the specificity of the inter-medial poetics of Adamčiak’s performance art in references to the ideas of Jozef Cseres and Peter Faltin, who specializes in music semiotics (works of art as totems) about shifts in the understanding of the ontological status of postmodern works of art.

Keywords

EN

PERFORMANCE ART; MILAN ADAMČIAK

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2022
• Volume: 70
• Issue: 4
• Pages: 390 - 403

Contributors

author

Fujak Július

• Filozofická fakulta, Univerzita Konštantína Filozofa v Nitre, Hodžova 375/1, 949 01 Nitra, Slovak republic

Identifiers

DOI

10.31577/sd-2022-0026