RYTMICKÉ CÍTENIE V SCÉNICKOM DIELE. ESTETICKÁ A MIMOESTETICKÁ FUNKCIA SCÉNICKÉHO UMENIA VYCHÁDZAJÚCA Z RITUÁLNEJ PODSTATY DIVADLA A MYTOLOGICKÝCH ZDROJOV DRÁMY NA POČIATKU 20. STOROČIA

• Authors: Kovalčíková Petra

Title variants

EN

Rhythmic feeling in performance work. Aesthetic and non-aesthetic function of performance art based on the ritual nature of the theatre and mythological sources of drama in the early of the 20th century

• Languages of publication: SK

Abstracts

EN

The study focuses on the penetration of ritual elements into contemporary performance art. Reflection of the discussed topics focuses on the period of modernism and postmodernism in the Western cultural context, while the documentation of phenomena is based primarily on the theatrical experiments of the creators of the first and second theatrical reforms.

Keywords

EN

RHYTHM; MYTHOLOGY; THEATRE; POSTMODERN

• Publisher: Institute of Theatre and Arts, Slovak Academy of Sciences
• Journal: Slovenské divadlo (Slovak Theatre)
• Year: 2019
• Volume: 67
• Issue: 2
• Pages: 129 – 144

Contributors

author

Kovalčíková Petra

• Fakulta dramatických umení AU, Horná 95, 974 01 Banská Bystrica, Slovak Republic

Identifiers

DOI

https://doi.org/10.31577/sd-2019-0008