PRINCÍPY HORIZONTÁLNEJ (MELODICKEJ) KONŠTRUKCIE V DIELE ARVO PARTA: FRATRES

• Authors: Eva Ferkova

Title variants

EN

Principles of horizontal (melodic) construction in Fratres by Arvo Parta

• Languages of publication: SK

Abstracts

EN

By analysis of Arvo Part’s composition Fratres one can show the stylistic permeation of the Renaissance contrapuntal organisation of polyphony, evidencing features of bitonality and bimodality on the one hand, and on the other hand features of the modern employment of several constructive approaches and principles, expressed in a diatonic setting, a variant form and rhythmic series.

Keywords

EN

ARVO PARTA; FRATRES; RENAISSANCE

• Publisher: Institute of Musicology, Slovak Academy of Sciences; VEDA, Publishing House of the Slovak Academy of Sciences
• Journal: Musicologica Slovaca
• Year: 2010
• Volume: 1 (27)
• Issue: 2
• Pages: 272-282

Contributors

author

Eva Ferkova

• Katedra teorie hudby, Hudobna a tanecna fakulta VSMU, Zochova 1, 813 01 Bratislava, Slovak Republic