EN
The article studies Max Dvořák’s role in the monumental enterprise of the Deutscher Verein fűr Kunstwissenschaft (German Society for Art Scholarship) – a comprehensive publication of German monuments (“Monumenta artis Germaniae”, from 1908). The author points out that Dvořák’s active involvement with the “Verein” and its nationalistic aim suggests a gradual personal rapprochement with some form of pan-German cultural ideology.