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2023 | 71 | 1 | 5 – 25

Article title

UMELÉ A UMELECKÉ V POST-ANTROPOCENTRICKEJ TRILÓGII VIERY ČÁKANYOVEJ

Authors

Content

Title variants

EN
Artificial and artistic in Viera Čákanyová´s post-anthropocentric trilogy

Languages of publication

SK

Abstracts

EN
This study deals with three films of one of the most talented and, even in the European context, most interesting contemporary Slovak female directors and screenwriters, Viera Čákanyová (1980), which their creator herself regards as parts of a loose trilogy. These are her feature-length professional debut, FREM (2019), and two other films, Biela na bielej [White on White] (2020) and Poznámky z Eremocénu [Notes from Eremocene] (2022). They combine interlinked topics with a strong international overlap, which is quite unusual in Slovak films: the topic of artificial intelligence, climate change, the threat to human experience, or even the extinction of mankind. The aim of the study is to analyse the pictorial and strategies of Čákanyová’s trilogy while acoustic examining the essence of art, human experience, and life, which Čákanyová perceives in the situation of global climate change as threatened, or as ones in transition into the domain of artificial intelligence, which is becoming increasingly independent. The text is structured chronologically, using the available interviews with the director and other sources which commented on her hybrid, hard-to-grasp, and intentionally dubious films. It also serves as a guide to make sense of Čákanyová’s works, while relying also on the knowledge of her previous, internationally acclaimed student works, and television productions.

Year

Volume

71

Issue

1

Pages

5 – 25

Physical description

Contributors

author
  • Ústav divadelnej a filmovej vedy CVU SAV, v. v. i. Dúbravská cesta 9, 841 01 Bratislava, Slovak Republic

References

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.cejsh-b828083f-431b-4c7d-9952-bdefe7d8699b
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