EN
The paper focuses on a textual analysis of Jiří Drašnar´s novel Desperados of the information age, attempting to determine the devices and narrative mechanisms by means of which the double, or rather triple cultural space is configured in the text – a space which is in its basic role manifests itself as an oscillation between indigenous and foreign spaces. The spatial aspect is discussed with respect to one of the contemporary trends of literary theory, the so-called spatial turn, which presents a methodological-thematic link in the post-colonial thought.