EN
This anthropological interpretation envisages the outstanding documentary film by Bruno Monsaingeon: Piotr Anderszewski. Voyageur intranquille (Medici Arts International 2008) predominantly as a particular 'text of culture', made up of assorted semantic ingredients. The author analyses not so much a portrait of the artist but, primarily, a story about the home. Or more precisely: about different homes, those enrooted in actual space and those suspended in spaces of a more subtle nature. A story about leaving the home and returning to it. About seeking a home or home-oriented nostalgia. On the literal level: about a train carriage changed into a temporary home. Finally: on the last level of this film: a story about a home created out of sounds, fleeting music constructions, erecting an ethereal albeit real space of a home. The interpreted film is also a story about dwelling, connected with empirical topography, which it is possible to measure by means of geographical parameters; it is also a film about the sort of residence that Martin Heidegger described while commenting on the famous refrain from Hoelderlin: 'Man dwells poetically on this earth'.