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2019 | 3 | 1(7) | 92–103

Article title

Susanne K. Langer and the Definition of Art

Content

Title variants

Languages of publication

EN

Abstracts

EN
This essay aims to analyze the conception of a work of art in the thought of Susanne K. Langer. The author offers us a definition of art, grounded on the idea that art is the “creation of symbolic forms of human feeling”. This thesis is, in turn, constructed from a robust theory of the symbolic function of the human mind.

Keywords

Year

Volume

3

Issue

Pages

92–103

Physical description

Dates

published
2019-04-30

Contributors

  • Department of Philosophy, University of Lisbon

References

  • Alexander, Thomas M. “Langer, Susanne (1895–1985).” In A Company to Aesthetics, edited by David Cooper, 259–261. Oxford/ Cambridge: Blackwell, 1992.
  • Bell, Clive. Art. London: Chatto & Windus, 1949.
  • Benedict, Ruth. Patterns of Culture. Boston: Houghton Mifflin Company, 1934.
  • Berthoff, Ann E. “Susanne K. Langer and the Process of Feeling.” In The Mysterious Barricades. Language and its Limits. Toronto: University of Toronto Press, 1999. https://doi.org/10.3138/9781442681774
  • Cassirer, Ernst. An Essay on Man. An Introduction to a Philosophy of Human Culture. New Haven: Yale University Press, 1944.
  • Cassirer, Ernst. Philosophie der symbolischen Formen in Gesammelte Werke. 11, 12, 13.Hamburger Ausgabe: Felix Meiner Verlag, 1923; 1925; 1929.
  • Collingwood, R.G. The Principles of Art. Oxford: Clarendon Press, 1938.
  • Croce, Benedetto. Breviario di estetica – Aesthetica in nuce. Milano: Adelphi Ed., 1990. Danto, Arthur C. What Art Is. New Haven & London: Yale University Press, 2013.
  • Dickie, George. Introduction to Aesthetics: an Analytic Approach. New York/Oxford: Oxford University Press, 1997.
  • Dryden, Donald. “Susanne K. Langer.” Key Writers on Art. The Twentieth Century, edited by Chris Murray. Oxford: Routledge, 2003.
  • Goodman, Nelson. Ways of Worldmaking. Indianapolis: Hackett Pub. Co., 1978.
  • Hendry, Joy. An Introduction to Social Anthropology: Sharing Our Worlds. New York: Macmillan, 2008.
  • Innis, Robert E. “Perception, Interpretation, and the Signs of Art”. Journal of Speculative Philosophy 15, 1 (2001): 20–33. https://doi.org/10.1353/jsp.2001.0002
  • Innis, Robert E. Susanne Langer in Focus: The Symbolic Mind. Bloomington: Indiana University Press, 2009. Joyce, James. Ulysses. London: The Bodley Head, 1960.
  • Kristeva, Julia. Soleil noir. Dépression et mélancolie. Paris: Gallimard, 1987.
  • Langer, Susanne K. Feeling and Form. A Theory of Art Developed from Philosophy in New Key. London/Oxford: Routledge & Kegan Paul, 1953.
  • Langer, Susanne K. “Language and Thought.” Language Awareness: Readings for College Writers, edited by Paul Eschholz, Alfred Rosa, and Virginia Clark, 96–101. Boston: Bedford/St. Martin’s, 2000.
  • Langer, Susanne K. Mind: An Essay on Human Feeling, vol. 1. Baltimore: The John Hopkins Press, 1967.
  • Langer, Susanne K. Philosophy in a New Key. A Study in the Symbolism of Reason, Rite, and Art. Cambridge (Mass.): Harvard University Press, 1942.
  • Langer, Susanne K. Problems of Art: Ten Philosophical Lectures. New York: Charles Scribner’s Sons, 1957.
  • Reid, Louis A. A Study in Aesthetics. London: The Macmillan Co, 1931.
  • de Saussure, Ferdinand. 1968. Cours de Linguistique Générale. Paris: Payot.
  • Schelling, Friedrich W. J. System of Transcendental Idealism (1800). Translated by Peter Heath. Charlottesville: University Press of Virginia, 1978. [System des transzendentalen Idealismus. Stuttgarter und Augsburg: J.G. Cotta’scher Verlag. 1859].
  • Tolstoy, Leo. What is Art? Translated by Richard Pevear and Larissa Volokhonsky. London: Penguin, 1995.

Document Type

Publication order reference

YADDA identifier

bwmeta1.element.desklight-0ad0c596-83dc-4e64-959d-a51857d9d72f
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