EN
The ‘Women’s Labour’ Pavilion represents the debut of female architect Anatolia Hryniewiecka-Piotrowska (1896-1989). The pavilion was supposed to represent an architectural visualization of the so-called ‘women question’ in Poland, designed by a ‘woman engineer’ and carried out with funds collected by women. The paper discusses this design into the field of current art-historic research, which is critical towards the cannonised and mythologised history of modernism as cultural practice.