Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2015 | 2(25) | 4-14

Article title

Polski epizod w działalności artystycznej pianisty i kompozytora Josepha Woelfla

Authors

Content

Title variants

EN
Polish episode in artistic activity and output of pianist and composer Joseph Woelfl

Conference

VI Ogólnopolski Zjazd Studentów Muzykologii, Kraków 20–23 V 2014.

Languages of publication

PL

Abstracts

EN
Joseph Woelfl, an Austrian pianist and composer, was born on 24th December 1773 in Salzburg, where he began his musical education. In 1790 he left his hometown for Vienna, most probably following Wolfgang Amadeus Mozart. He can't have stayed there long as in 1791 he was admitted for service at Prince Michał Kleofas Ogiński's estate, where he spent about fifteen months. Prince Ogiński is remembered in the history of music mainly as the master of the stylised polonaise. The short cooperation with Woelfl bore fruit in their artistic activities, as Prince Ogiński created his first stylised polonaises during that time. Similarly, Woelfl was inspired by Polish surroundings. During his stay in Warsaw he created Polonaise, which became part of his sonata, marked as Fw 7 by Margit Haider-Dechant in the Joseph Woelfl. Verzeichnis seiner Werke, which was probably performed during a public concert in the capital of the Polish-Lithuanian Commonwealth in 1792. The Polish dance must have made a great impression on the Austrian composer, as Polonaise in the form of a rondo reappeared in his musical output in the third movement of Piano Concerto No.1 op. 20, published in Paris nearly ten years later. Neither Joseph Woelfl nor above mentioned Piano Concerto op. 20 are currently popular in Poland. Thus, I would like to have a closer look at the piece, paying particular attention of the third movement Rondo a la Polonaise and at the same time referring to the mutual inspirations of the Austrian and Prince Michał Kleofas Ogiński.

Year

Issue

Pages

4-14

Physical description

Dates

published
2015-07-01

Contributors

author

References

  • Baum R., Joseph Wölfl (1773–1812) Leben, Klavierwerke, Klavierkammermusik und Klavierkonzerte, Kassel 1928.
  • Bełza I., Michał Kleofas Ogiński, tłum. S. Prus-Więckowski, Kraków 1967.
  • Bernacki L., Teatr, dramat i muzyka za Stanisława Augusta, t. 1, Źródła i materiały, Lwów 1925.
  • Burhardt S., Polonez. Katalog tematyczny II 1792–1830, Kraków 1976.
  • Chybiński A., Słownik muzyków dawnej Polski do roku 1800, Kraków 1949.
  • Feicht H., Musikalische Beziehungen zwischen Wien und Warschau zur Zeit der Wiener Klassiker [w:] Studien zur Musikwissenschaft, t. 25, Festschrift für Erich Schenk, b.m. 1962.
  • Haider-Dechant M., Joseph Woelfl. Verzeichnis seiner Werke, Wiedeń 2011.
  • Mozart. Briefe und Aufzeichnungen. Gesamtausgabe, t. 3, 1780–1786, red. U. Konrad, 2 wyd. uzup., Kassel 2005.
  • Ogiński M.K., Listy o muzyce, oprac. T. Strumiłło, Kraków 1956.
  • Paczkowski S., Styl polski w muzyce Johanna Sebastiana Bacha, Lublin 2011.
  • Prosnak J., Kultura Muzyczna Warszawy XVIII wieku, Kraków 1992.
  • Schmid M.H., Orchester und Solist in den Konzerten von W. A. Mozart, Tutzing 1999.
  • Strumiłło T., Nowak-Romanowicz A., Kuryłowicz T., Poglądy na muzykę kompozytorów polskich doby przedchopinowskiej: Ogiński, Elsner, Kurpiński, Kraków 1960.
  • West E., Joseph Wölfl [w:] The New Grove Dictionary of Music and Musicians, t. 27, red. S. Sadie, Londyn 2001.
  • Woelfl, Joseph [w:] Biographisch-Bibliographisches Quellen-Lexikon der Musiker und musikgelehrten, t. 10, red. R. Eitner, Lipsk 1904.
  • Żórawska-Witkowska A., The musical life in Warsaw at Wölfl’s time (1791–1795), „Joseph Woelfl-Almanach“ 2012/2013.

Document Type

Publication order reference

Identifiers

ISSN
2353-7094

YADDA identifier

bwmeta1.element.desklight-612a095c-57cd-4e32-9137-05e5e8b3807a
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.