De la Fin de l’art au Musée Imaginaire: Malraux lecteur de Hegel

• Authors: Voldřichová Beránková Eva

Title variants

EN

FROM THE END OF ART TO THE IMAGINARY MUSEUM: MALRAUX READER OF HEGEL

• Languages of publication: FR

Abstracts

EN

The article summarizes the major topoi of Hegelianism that Malraux adopts in his texts on art (The Voices of Silence, The Imaginary Museum and The Metamorphosis of the Gods), before focusing, in particular, on Malrucian interpretation of the end of art and on the links that the latter has with his own concept of the imaginary museum. According to some of Hegel’s exegetes (Bernard Bosanquet, Martin Heidegger, Jean-Luc Nancy, Thierry de Duve, but also Theodor Adorno, Arthur Danto, Joseph Kosuth, Rainer Rochlitz or Jan Patočka), the end of traditional art paves the way for its retrospective conceptualization, its reconfiguration in the public space, as well as for very exciting debates on the nature of contemporary art, post-religious, post-national, post-historical in a way. The article illustrates the original place that Malraux occupies within this “positive” and creative interpretation of the end of art.

Keywords

FR

Fin de l’art; Musée Imaginaire; G. W. F. Hegel; A. Malraux; philosophie de l’art

EN

End of Art; Imaginary Museum; G. W. F. Hegel; A. Malraux; Philosophy of Art

Discipline

• PHILOLOGY_&_LINGUISTICS: PHILOLOGY & LINGUISTICS

• Publisher: Charles University in Prague, Faculty of Arts, Czech Republic
• Journal: Svět literatury – Časopis pro novodobé literatury (World of Literature – Journal for Modern Literatures)
• Year: 2022
• Volume: 32
• Issue: Special Issue
• Pages: 68-77

Contributors

author

Voldřichová Beránková Eva

• Université Charles, Prague