Феномен синестезии в европейском музыкальном искусстве эпохи романтизма

• Authors: Zaytseva Marina

Title variants

EN

The Phenomenon of Synesthesia in the European Musical Art of Romanticism

• Languages of publication: RU

Abstracts

RU

В статье выявлены синестезийные основы художественно-эстетического сознания философов, поэтов, композиторов романтической эпохи. На основе анализа эпистолярного и критического наследия композиторов-романтиков определены особенности проявления синестезии в их творческом мышлении. Обосновано значение визуальных, осязательных, вкусовых, кинестетических ощущений в процессах смыслопорождения и образотворчества.

EN

The article reveals synesthesiс foundations of artistic and aesthetic consciousness of philosophers, poets, composers of the Romantic era. Based on the analysis of the epistolary and critical heritage of Romantic composers, the particularities of synaesthesia manifestation in their creative thinking have been identified. The importance of visual, tactile, gustatory, kinesthetic perception in the process of meaning and image creation has been proved.

Keywords

RU

синестезия; синестезийность; художественное мышление; романтизм

EN

synesthesia; synesthesiability; artistic thinking; romanticism

• Publisher: Altezoro s.r.o. (Slovak Republic) and Publishing Center "Dialog" (Ukraine)
• Journal: Path of Science
• Year: 2016
• Volume: 2
• Issue: 11(16)
• Pages: 3.1-3.13

Dates

published

2016-11-11

Contributors

author

Zaytseva Marina

• Maimonides State Classic Academy of Moscow State University of Design and Technology

References

• Lurija, A. R. (1973). Osnovy nejropsihologii [Basics of neuropsychology]. Moscow: MGU (in Russian).
• Cytowic, R. E. (1997). Synaesthesia: Phenomenology and Neuropsychology. A Review of Current Knowledge. In S. Baron-Cohen, J. E Harrison (Eds.), Synaesthesia: classic and contemporary readings (pp. 17–39). Cambridge, Mass : Blackwell.
• Marks, L. E. (1978). The Unity of the Senses. N. Y.: Academic Press.
• Petrenko, V. F. (1983). Vvedenie v jeksperimental'nuju psihosemantiku: issledovanie form reprezentacii v obydennom soznanii [Introduction to experimental psychosemantics: study of the forms of representation in everyday consciousness]. Moscow: Izd-vo Mosk. un-ta (in Russian).
• Prokof'eva, L. P. (2008). Izuchenie zvuko-cvetovoj associativnosti v evropejskih jazykah: istorija i sovremennost' [The study of sound-and-colour associations in the european languages: history and the present]. Vestnik Nizhegorodskogo universiteta imeni N. I. Lobachevskogo. Filologija. Iskusstvovedenie, 4, 256–262 (in Russian).
• Ullman, S. (1957). The Principles of Semantics. Glasgow: Jackson, Son and Co.
• Kolodkina, E. N. (2009). Vkusovaja sinesteticheskaja metafora [Taste synesthetic metaphor]. Filologicheskie nauki. Voprosy teorii i praktiki, 1, 104–107 (in Russian).
• Galeev, B., & Vanechkina, I. (2003). Sinestezija. In V. V. Bychkov (Ed.), Leksikon nonklassiki. Hudozhestvenno-jesteticheskaja kul'tura XX veka (pp. 408–410). Moscow: ROSSPJeN (in Russian).
• Koljadenko, N. P. (2005). Sinestetichnost' muzykal'no-hudozhestvennogo soznanija: na materiale iskusstva XX veka [Sinestetichnost musical and artistic consciousness: on the art of the XX century material] (Doctoral dissertation). Retrieved from http://www.dissercat.com/content/sinestetichnost-muzykalno-khudozhestvennogo-soznaniya-na-materiale-iskusstva-xx-veka (in Russian).
• Sokolova, E. E. (1982). Problema celostnosti v psihologii (lejpcigskaja shkola) [The integrity problem in psychology (Leipzig School)]. Vestnik Moskovskogo universiteta. Ser. Psihologija, 4, 56–64.
• Zajceva, M. L. (2014). Sinestezijnost' kak sistemnoe svojstvo hudozhestvennogo soznanija [Sinesteziynost as a system property of artistic consciousness] (Doctoral dissertation). Retrieved from http://xn--90ax2c.xn--p1ai/catalog/000199_000009_005096670 (in Russian).
• Shestakov, V. P. (Ed.). (1971). Muzykal'naja jestetika Zapadnoj Evropy XVII-XVIII vekov [The musical aesthetics of Western Europe XVII-XVIII centuries]. Moscow: Muzyka (in Russian).
• Zhirmunskij, V. M. (1996). Nemeckij romantizm i sovremennaja mistika [German romanticism and modern mystic]. Saint-Petersburg: Axioma (in Russian).
• Serebrjakova, Ju. V. (2004). Problema sinestezii v kul'turno-istoricheskom aspekte (Na materiale russkoj pojezii, muzyki i zhivopisi k. XIX – n. XX vv.) [The problem of synaesthesia in the cultural and historical aspect (On a material of Russian poetry, music and painting in the XIX -. Mr. XX centuries.)] (Doctoral thesis). Retrieved from http://www.dissercat.com/content/problema-sinestezii-v-kulturno-istoricheskom-aspekte-na-materiale-russkoi-poezii-muzyki-i-zh (in Russian).
• Limanskaja, L. Ju. (2008). Opticheskie miry: jestetika zrenija i jazyk iskusstva [Optical worlds: the aesthetics of art and language]. Moscow: Ros. gos. gumant. un-t (in Russian).
• Gade, J. (1993). Color and Culture: Practice and Meaning from Antiquity to Abstraction. Berkeley: University of California Press.
• Berkovskij, N. Ja. (2003). Romantizm v Germanii [Romanticism in Germany]. Saint-Petersburg: Azbuka-klassika (in Russian).
• Kuharskij, G. S. (1976). F. Shopen. Pis'ma [F. Chopin. letter]. Moscow: Muzyka (in Russian).
• Zhitomirskij, D. V. (1978). Shuman R. Sobranie statej o muzyke i muzykantah [Collection of articles about music and musicians] (Vol. 2). Moscow: Muzyka (in Russian).
• Rogovoj, S. I. (2003). Pis'ma Iogannesa Bramsa [Letters by Johannes Brahms]. Moscow: Kompozitor (in Russian).
• Kurt, Je. (1975). Romanticheskaja garmonija i ejo krizis v "Tristane" Vagnera [Romantic harmony and its crisis in "Tristan," Wagner]. Moscow: Muzyka (in Russian).
• Poljakova, L. V. (1987). Rihard Vagner. Sbornik statej [Richard Wagner. Collection of articles]. Moscow: Muzyka (in Russian).
• Benestad, F., & Shel'derub-Jebbe, D. (1986). Jedvard Grig – chelovek i hudozhnik [Edvard Grieg - man and artist]. Moscow: Raduga (in Russian).
• Lupenko E. A. Jempiricheskoe issledovanie psihologicheskoj prirody intermodal'noj obshhnosti subektivnyh oshhushhenij [An empirical study of the psychological nature of intermodal generality subjective sensations]. In Anan'evskie chtenija – 2007 : materialy Mezhdunarodnoj nauchno-prakticheskoj konferencii, 23-25 oktjabrja 2007 g., Sankt-Peterburg (pp. 31–33). Saint-Petersburg: Izd-vo S.-Peterburgskogo un-ta (in Russian).
• Saponov, M. A. (2004). Russkie dnevniki i memuary R. Vagnera, L. Shpora, R. Shumana [Russian diaries and memoirs of R. Wagner, L. Spohr, R. Schumann]. Moscow: Deka-VS (in Russian).
• Zajceva, M. L. (2016). Osobennosti muzykal'nogo myshlenija Iogannesa Bramsa [Features of Johannes Brahms’s Musical Thought]. Path of Science, 9, 1.1–1.9. doi: 10.22178/pos.13-6.

Identifiers

DOI

10.22178/pos.16-3