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2015 | 28 | 137-145

Article title

Musical Inspirations in Japanese Culture

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Content

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Languages of publication

EN

Abstracts

EN
The aim of this article is to picture how Japanese music evolved across the centuries, and how it influenced cultural development in that region. It is a small compendium of knowledge about musical inspirations in Japanese culture from ancient to modern times. It explores fantastic nooks and crannies of the art, full of traditional forms and incredible symbolism. Starting with traditional music, which initiated gagaku court music, a most characteristic form for the region, and ending on modern music, this article shows individuals stages of Japanese musical development. The reader learns about how the philosophical and religious systems are connected to the incredibly diverse, exotic culture. We discover the strong impact of Confucianism in how the musical forms emerged. yet despite significant influences of Chinese music, the Land of the Rising Sun developed its own, individual music style, rich with originality, diversity, and despite such great advances and interest in European music, the cult of the past and traditional music lives on. That makes the Land of the Rising Sun one of a kind.

Keywords

Year

Issue

28

Pages

137-145

Physical description

Dates

published
2015-12-01

Contributors

References

  • E. Schneider E., A History of Japanese Music, Oxford University Press, London, 1973, p. 55.
  • L. Zielińska, Gagaku – muzyka dworska Japonii (Gagaku - courtly music of Japan), t. 16 – 17, wyd. Adam Marszałek, Toruń 1997, p. 42.
  • E. Schneider E., A History of Japanese Music, Oxford University Press, London, 1973, p. 82.
  • A. Czekanowska, Kultury muzyczne Azji (Asian music culture), Polskie Wydawnictwo Muzyczne, Kraków 1981, s. 49.
  • M. Wesołowska M., Gagaku. Dzieje i symbolika japońskiej muzyki dworskiej (Gagaku. The history and symbolism of Japanese court music), Trio, Warszawa, 2012, s. 19.
  • Shigeo Kishibe, The Traditional Music of Japan, Ongaki No Tomo Sha, Tokyo, 1984, p. 40.
  • Ibidem, p. 44.
  • R. Garfias, R. "Gradual Modifications of the Gagaku Tradition." In “Ethnomusicology”, Vol. 4, No. 1., 1960, p. 16-19.
  • Ibidem., p. 19.
  • N. Jofan, Dawna kultura Japonii (The old culture of Japan), Państwowy Instytut Wydawniczy, Warszawa 1977, s. 168.
  • E. Schneider, A History of Japanese Music, Oxford University Press, London, 1973, p. 78.
  • M. Wesołowska, Gagaku. …, op. cit., s. 32 – 33.
  • Y. Torrimoto, Gagaku. Jikủ wo koeta harukana shirabe, Tokio, 2007, s. 15.
  • Ibidem., s. 32 – 33.
  • M. Wesołowska, Gagaku. Dzieje i symbolika japońskiej muzyki dworskiej (Gagaku. The history and symbolism of Japanese court music), Trio, Warszawa, 2012, s. 34.
  • Ibidem., p. 34 – 35.
  • L. Zielińska, Gagaku – muzyka dworska Japonii (Gagaku - courtly music of Japan), t. 16 – 17, Adam Marszałek, Toruń 1997, s. 25.
  • E. Schneider, The Rhythmical Patterns in Gagaku and Bugaku, Leiden E. J. Brill, 1954, p. 15.
  • L. Zielińska, Gagaku – muzyka dworska Japonii (Gagaku - courtly music of Japan), t. 16 – 17, wyd. Adam Marszałek, Toruń 1997, s. 38.
  • Shigeo Kishibe, The Traditional Music of Japan, Ongaki No Tomo Sha, Tokyo, 1984, p. 50.
  • W. Deal, Handbook to life in Medieval and Early Modern Japan, wyd. Fast and File, New York 2006, 275 – 276.
  • M. Wesołowska, Gagaku. …, op. cit., s. 56.
  • R. Tennyson, Gagaku, the Music and Dances of the Japanese Imperial Household, Theatre Arts Books. Place, New York, 1959, p. 66.
  • M. Wesołowska, Gagaku …, op. cit., s. 58 - 59.
  • R. Tennyson, Gagaku, the Music and Dances of the Japanese Imperial Household, Theatre Arts Books. Place, New York, 1959, p. 69.
  • Liu Wu – Chi, “A Short History of Confucian Philosophy”, A penguin Books, New York, 1955, p. 582.
  • R. Tennyson, A Dictionary of Traditional Japanese Musical Instruments: From Prehistory to the Edo Period, Eideru, Tokyo, 2012, p. 75.
  • K. Czyżewska-Madajewicz, M. J. Künstler., Z. Tłumski, Dialogi konfucjańskie ( Lun Yu, The Analects, attrib. to Confucius), Ossolineum, Wrocław 1976, s. 80.
  • Liu Wu – Chi, “A Short History of Confucian Philosophy”, Penguin Books, New York, 1955, p. 581-582.
  • M. Wesołowska, Gagaku…, op. cit., s. 119.
  • S. Kishibe, The traditional music of Japan, Ongakuno Tomosha, Tokyo, 1984, p. 27-33.
  • Y. Torrimoto, Gagaku. Jikủ wo koeta harukana shirabe, Tokyo 2007, p. 50.
  • M. Wesołowska, Gagaku…., op. cit., s. 53.
  • Kishibe S., The traditional music of Japan, Ongakuno Tomosha, Tokyo, 1984, p. 33.
  • R. Tennyson, Gagaku, the Music and Dances of the Japanese Imperial Household, Theatre Arts Books. Place, New York, 1959, p. 57.
  • A. Czekanowska, Kultury muzyczne Azji (Asian music culture), Polskie Wydawnictwo Muzyczne, Kraków 1981, s. 49.
  • R. Provine, Garland Encyclopedia of World Music Volume 7: East Asia: China, Japan and Korea, Garland, 2001, p. 245.
  • A. Czekanowska, Kultury muzyczne Azji (Asian music culture), Polskie Wydawnictwo Muzyczne, Kraków 1981, s. 49.

Document Type

Publication order reference

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YADDA identifier

bwmeta1.element.desklight-89959c4d-ad1e-4444-a274-35cde936fe67
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