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2014 | 13 | 551-562

Article title

Queerizações da Música Popular de António Variações

Selected contents from this journal

Title variants

EN
Queering AntónioVariações’s Popular Music

Languages of publication

PT

Abstracts

Across the centuries, religious and secular institutions have persisted in governing our bodies and legislating against gender, sexuality and sexual acts considered to deviate from prescribed norms. Music has been scrutinised in comparable ways by religious and secular institutions due to its emotional appeal. Thus, in this article, I will analyse two songs by António Variações, entitled Canção de Engate and Onda Morna that present a subliminal homoerotic theme. I will draw attention on this article to how music is used by Variações to express non‑normative sexualities and desires and how this facilitated expressions of queerness and queer identity.

Year

Volume

13

Pages

551-562

Physical description

Contributors

  • University of Nottingham

References

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  • Brett , P. (1994), “Musicality, essentialism, and the closet”, em: Brett, Wood, P. E., Thomas, G. C. (eds.), Queering the pitch: The new gay and lesbian musicology, Routledge, New York, pp. 9‑26.
  • Carvalho , E. M. (1983), “António Variações: Quero ser um músico popular”, O País, 380, pp. 10-15.
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  • Corber , R., Valocchi , S. (2003), “Introduction”, em: Corber, R., Valocchi, S. (eds.), Queer Studies: An interdisciplinary reader, Blackwell, Oxford, pp. 1‑17.
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  • Cusick , S. (1999b), “On musical performances of gender and sex”, em: Barkin, E., Hamessley, L. (eds.), Audible traces: Gender, identity, and music, Carciofoli Verlagshaus, Zurich, pp. 25‑48.
  • Dibben , N. (2002), “Gender identity and music”, em: Macdonald, R., Hargreaves, D., Miell, D. (ed.), Musical identities, Oxford University Press, Oxford, pp. 117‑133.
  • Frith , S. (1996), Performing rites: On the values of popular music, Oxford University Press, Oxford.
  • Foucault , M. (1979), The history of sexuality, vol. 1: An introduction, Allen Lane, London.
  • Gonzaga , M. (2006), António Variações: Entre Braga e Nova Iorque, Âncora Editora, Lisboa.
  • Joyce , V. M. (1997), “What’s so queer about composing? Exploring Attali’s concept of composition from a queer perspective”, Popular Music and Society, 21, pp. 35‑59.
  • McClary , S. (1991), Feminine endings: Music, gender and sexuality, University of Minnesota Press, Minneapolis.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-9e035346-2deb-43b5-a76f-d8c438354901
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