Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2012 | 7 | 4

Article title

The queer rhetoric of Bollywood: A case of mistaken identity

Content

Title variants

PL
Bollywoodzka retoryka queer: Tożsamościowe qui pro quo

Languages of publication

EN

Abstracts

EN
The paper addresses the queer representation of fictional characters and gay framing, analyzing the concept of "dosti" and "yaarana" and the trope of the homo-social triangle in Hindi cinema. This film trajectory presupposes the existence of homosexuality but relies on the inevitability of heterosexuality. This strand explores traditional social themes such as love, family, tradition but within this builds up an alternative "invisible" queer narrative. By acknowledging the slippages between "real identity" and "mistaken identity" the films usher in a new queer cinematic discourse within popular Bollywood. In this paper I will chiefly look at Nikhil Advani and Karan Johar's Kal Ho Na Ho (If Tomorrow Never Comes, 2004); and Tarun Mansukhani and Karan Johar's Dostana (Friendship, 2008) and see how Queer Representations in Indian Cinema address the invisibile queer politics through a case of mistaken identity(ies).
PL
Artykuł analizuje queerowe ujęcia postaci literackich i homoseksualności w indyjskim kinie hindi, ze szczególnym uwzględnieniem pojęć dosti i yaarana oraz tropu trójkąta homospołecznego. Wybrana seria filmów zakłada istnienie homoseksualności, jednocześnie postulując nieuchronność heteroseksualności. Filmy te skupiają się na tradycyjnych tematach społecznych, takich jak miłość, rodzina czy tradycja, ale w obrębie tej tematyki budują alternatywne, „niewidoczne” narracje queerowe. Uwzględniając przenikanie się „prawdziwej” i „błędnie przypisanej tożsamości”, filmy te wprowadzają do kina Bollywoodzkiego nowy queerowe dyskurs filmowy. Odwołując się przede wszystkim do filmów Nikhila Advani i Karana Johara Kal Ho Na Ho (Jeżeli jutro nigdy nie nadejdzie, 2004) oraz Taruna Mansukhani i Karana Johara Dostana (Przyjaźń, 2008), autor ukazuje, jak queerowe przedstawienia w kinie indyjskim stanowią niewidzialną politykę queer wykorzystując przypadki „błędnie przypisanej tożsamości”.

Keywords

Year

Issue

7

Pages

4

Physical description

Dates

published
2012

Contributors

  • University of the Arts, London

References

  • Aaron, Michele. "Pass/Fail." Queer Screen: A Screen Reader. Ed. Jackie Stacey and Sarah Street. Oxon: Routledge, 2007. Bandopadhyay, Sibaji. "Approaching the Present, The Pre-text: The Fire controversy." The Phobic and the Erotic. Ed. Brinda Bose. Kolkata: Seagull, 2007. Basu, Amit Ranjan. Lesbianism in Kolkata. Kolkata: Sappho for Equality, 2006. Bose, Brinda. "The Desiring Subject: Female pleasures and feminist resistance in Deepa Mehta's Fire." The Phobic and the Erotic. Ed. Brinda Bose. Kolkata: Seagull, 2007. Caplan, Pat. The Cultural construct of Sexuality. London: Routledge, 1987. Coward, Rosalind. "Sexual Violence and Sexuality." Feminist Review 1 (June 1982). Creekmur, Corey and Alexander Doty, ed. Out in Culture: Gay , Lesbian and Queer essays on popular culture. London: Duke University Press, 1995. Dasgupta, Rohit K. "I Am: Afia, Megha, Abhimanyu and Omar." Scope: Journal of film and Television Studies, vol. 21 (2011): 1-5. Dwyer, Rachael. 100 Bollywood Films. New Delhi: Roli Books, 2006. Foucault, Michel. "Of Other Spaces." Diacritics 16 (1986): 22-27. Ganti, Tejaswani. Bollywood. London: Routledge, 2004. Ghosh, Sohini. "Bombay Cinema's Queer vision." The Phobic and the Erotic. Ed. Brinda Bose. Kolkata: Seagull, 2007. Gokulsing, Moti K and Dissanayake Wimal. From Aan to Lagaan: A Guide to the study of Indian Cinema. Staffordshire: Trentham, 2012. Gopinath, Gayatri. Impossible Desires. Durham: Duke University Press, 2005. Gopinath, Gayatri. "Queering Bollywood: Alternative Sexualities in Popular Indian Cinema." Journal of Homosexuality, vol. 39, Nos 3-4 (2000): 283-298. Hanson, Ellis, ed. Out Takes: Essays on Queer and film. Durham: Duke University Press, 1999. Henniker, Charlie. "Pink Rupees or Gay Icons?: Accounting for the Camp Appropriation of Male Bollywood Stars." South Asia Research, vol. 30 (2010): 25-41. Merchant, Hoshang. Yaarana. Delhi: Penguin, 2003. Muralidharan, T. "Crisis in Desire." Because I have a Voice. Ed. Gautam Bhan and Arvind Narrain. New Delhi: Yoda Press, 2005. Mulvey, Laura. "Visual Pleasure and Narrative Cinema." Visual and Other Pleasures. Ed. Laura Mulvey. Basingstoke: Macmillan, 1989. Nandy Ashis. The Secret Politics of our Desires: Innocence, Culpability and Indian Popular Cinema. New Delhi: Zed Books, 1998. Stacey, Jackey. "Introduction: queering screen." Queer Screen: A Screen Reader. Ed. Jackie Stacey and Sarah Street. Oxon: Routledge, 2007. Sahani, Parmesh. Gay Bombay: Globalisation, love and belonging in contemporary India. Delhi: Sage Publication, 2008. Seabrook, Jeremy. Love in a Different Climate. London: Verso, 1990. Thomas Rosie, "Indian Cinema: Pleasures and Popularity." Asian Cinemas: A reader and guide. Ed. Dimitris Eleftheriotis and Gary Needham. Honolulu: University of Hawaii Press, 2006. Vance, Carol S. "Pleasure and Danger: Toward a Politics of sexuality." Pleasure and Danger: exploring female sexuality. Ed. Vance, Carol S. New York: River Orams Press, 1982. Waugh, Thomas. "Queer Bollywood, or 'I'm the player, you're the naive one': Patterns of Sexual Subversion in Recent Indian Popular Cinema." Keyframes: Popular Cinema and Cultural Studies. Ed. Matthew Tinkcom and Amy Villarejo. New York: Routledge, 2001.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-a6c5c2f5-0cbe-4e33-bbc4-9eb46e569344
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.