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1993 | 4 | 354-355

Article title

Witraże nowożytne malowane emaliami : uwagi o terminologii

Authors

Content

Title variants

EN
Cotemporary enamel-parinted stained glass windows. Remarks about terminology

Languages of publication

PL EN

Abstracts

EN
The technique of decorating glass articles with enamel was well known already in antiquity. It was employed about 540 in the form of a single-colour layer which embellishes a stained glass window depicting Christ between the Alpha and the Omega in the San Vitale church in Ravenna. Technological progress in the first half of the sixteenth century made it possible to replace the traditionally executed stained glass window (made by joining coloured glass by means of lead frames into a certain design) with colourless glass, decorated with enamel. The tendency towards miniaturising stained glass windows and their frequent reduction to small colourful accents, some several centimeters large and placed against the background of large sheets of colourless glass can be noticed in many regions of Europe from the middle of the sixteenth century. The appearance of these objects is distant from a universal image of the stained glass window; hence, they are often perceived as a distinct category. Nonetheless, genetic, functional and material connections between panes painted with enamel and stained glass windows executed by traditional methods incline towards including them into a joint class of objects and the acceptance for the former of the name of: „enamelpainted stained glass windows”. This term interprets the category in question as one of the sub-disciplines of the stained glass windows, at the same time, pointing to a group of features which appear to be constitutive; the presence of an enamel painting as a basic medium must be recognized as decisive for that complex of traits.

Keywords

Year

Issue

4

Pages

354-355

Physical description

Dates

published
1993

Contributors

References

  • A. Saldem, German Enameled. Glass, „Monography Corning Museum of Glass”, New York 1965, s. 17.
  • C. Brisac, A Thousand Years of Stained Glass, London 1986, s. 7.
  • Teofila Kapłana i Zakonnika o sztukach rozmaitych ksiąg troje, Krakow 1880.
  • A. Polak, Glass. Its Tradition and its Makers, New York 1975, s. 54-58.
  • M. Aubert, A. Chastel, L. Grodecki, Le Vitrail francais, Paris 1985, passim.
  • J. L. Fischer, Hadbuch der Glasmalerei, Berlin 1951, passim.
  • J. D. Le Couteur, English Mediaeval Painted Glass, London 1978, passim.
  • K. Buczkowski, Dawne polskie szkła malowane, .Arkady”, t. II, 1936, nr 4;
  • K. Buczkowski, Dawne szklą artystyczne w Polsce, Krakow 1958;
  • K. Buczkowski, W. Skorczewski, Dawne szklą polskie, Warszawa 1938.
  • C. Woodford, English Stained and Painted Glass, Oxford 1954
  • K. Buczkowski, W. Skorczewski, Die Krakauer Kabinettglasmalerei des XV, XVI und XVIIJahrhunderts, „Bulletin de l’Academie Polonaise des Sciences et des Lettres”, Cracovie 1935, s. 153-155.

Document Type

Publication order reference

Identifiers

ISSN
0029-8247

YADDA identifier

bwmeta1.element.desklight-b2a9bfa4-fcf5-4e80-9fb1-8ec25b8a4a47
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