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2007 | IX | 45-52

Article title

Pragmatic Considerations in Song Interpretation - Construal and Background Knowledge

Content

Title variants

Languages of publication

PL EN RU

Abstracts

EN
The aim of the present article is to show that such concepts from cognitive linguistics as aspects of construal, semantic frames and idealised cognitive models can be applied for the analysis of rock song lyrics. The article describes the results of a survey in which respondents interpreted lyrics of a rock song and arrived at its different interpretations, often different from the one intended by the song writer. The author attempts to account for those different interpretations, relying on concepts from cognitive linguistics and cognitive poetics.

Year

Issue

IX

Pages

45-52

Physical description

Dates

published
2007

References

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  • Langacker R. W. (1991). Concept, Image and Symbol: The Cognitive Basis o f Grammar. Berlin, New York, Mouton de Gruyter.
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  • Miall D. and Kuiken D. (1994). Foregrounding, Defamiliarization, and Affect Response to Literary Stories. Poetics, 22, pp. 389-407.
  • Mukarovsky J. (1964). Standard language and poetic language. In: P. L. Garvin (ed.), A Prague School reader on esthetics, literary structure, and style (pp. 17-30). Washington, DC, Georgetown University Press (Original work published 1932).
  • Oatley K. (1992). Best Laid Schemes: The Psychology of Emotions. Cambridge, Cambridge University Press.
  • Stockwell P. (2002). Cognitive Poetics. An Introduction. London and New York, Routledge.
  • Shklovsky V. (1965). Art as technique. In: L. T. Lemon, M. J. Reis (eds. and trans.), Russian formalist criticism: Four essays. Lincoln, NE, University of Nebraska Press (Original work published 1917).
  • Zbikowski L. (2001). Conceptualizing Music: Cognitive Structure, Theory, and Analysis. New York, Oxford University Press.

Document Type

Publication order reference

Identifiers

ISSN
1509-1619

YADDA identifier

bwmeta1.element.desklight-b2ae1ab9-e76b-4928-8310-152c85add3a1
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