Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2018 | 15/4 | 7-25

Article title

The strategies of seeing differently in Kathleen Jamie’s travel writing: Findings and Sightlines

Title variants

PL
Inne sposoby patrzenia: Narracje z podróży w Findings i Sightlines Kathleen Jamie

Languages of publication

EN

Abstracts

EN
This article looks at the narrative techniques employed in two collections of creative non-fiction essays by the Scottish writer and poet, Kathleen Jamie. In Findings (2005) and Sightlines (2012) the narrator uses the theme of travel as a platform for expressing the liminality of natural and cultural zones. At the same time, the concept of motion and the boundless travel experience are often turned into their diminutive forms. In order to transgress the dual notions of outside/inside, human/nonhuman and the visible/unseen, Jamie employs a number of visual strategies. She introduces experimental methods of observation to free perception from the constraints of the dogmatic predictions which emerge from the automatization of sight. Jamie exposes our own illusions of what “natural” is or where exactly “nature” resides, prompting us to rethink our own position in the system. In this she often demonstrates the ethical environmental agenda of contemporary Scottish writers and exposes the intrusion of globalism into parochial zones.
PL
W artykule podjęto kwestię realizacji technik narracyjnych w dwóch zbiorach eseistyki podróżniczej szkockiej poetki i pisarki, Kathleen Jamie. W cyklach reportaży podróżniczych Findings (2005) i Sightlines (2012) autorka używa tematyki podróży dla przedstawienia takich wątków jak liminalność i integralność sfer natury i kultury, przy czym nierzadko redukuje ona sam ideał podróżniczy do jego własnej miniatury. W przekraczaniu dogmatycznie pojmowanych binarnych koncepcji, Jamie często odwołuje się do sposobów widzenia i eksperymentuje z różnorodnymi technikami wizualnej reprezentacji przyrody. Sama “natura” wreszcie staje się spoiwem łączącym cykle podróżnicze, które wpisują się w etycznie zaangażowany nurt szkockiego przyrodopisarstwa.

Contributors

  • Uniwersytet w Białymstoku

References

  • Alexander, Neal (2015). “Theologies of the wild: Contemporary landscape writing”. Journal of Modern Literature 38/4: 1-19.
  • Ashcroft, Bill (2009). “Travel and power”. In: Julia Kuehn, Paul Smethurst (eds.). Travel Writing. Form, and Empire: The Poetics and Politics of Mobility. New York – London: Routledge, 229-241.
  • Borm, Jan (2012). “Defining travel: On the travel book, travel writing and terminology”. In: Tim Youngs, Charles Forsdick (eds.). Travel Writing: Critical Concepts in Literary and Culural Studies. Vol. IV. Approaches to Travel. London – New York: Routledge, 1-14.
  • Chatwin, Bruce (1988). The Songlines. London: Penguin Books.
  • Crawford, Lawrence (1984). “Viktor Shklovskij: Différance in defamiliarization”. Comparative Literature 36/3: 209-219.
  • Cronon, William (1995). “The trouble with wilderness; or, hetting back to the wrong nature”. In: William Cronon (ed.). Uncommon Ground: Rethinking the Human Place in Nature. New York: W. W. Norton & Co, 69-90.
  • Day, Sean (1996). “Synaesthesia and synaesthetic metaphors”. Psyche 2/32. Available at <http://www.daysyn.com/Day1996. pdf>. Accessed 20.02.2018.
  • Dunnigan, Sarah M., Margery P. McCulloch (2011). “Editorial”. Scottish Literary Review, 1 November, 3/2: v-viii.
  • Gairn, Louisa (2008). Ecology and Modern Scottish Literature. Edinburgh: Edinburgh University Press.
  • Gifford, Terry (2009). “Ecology and modern Scottish literature. Welsh environments in contemporary poetry”. Book Review. ISLE: Interdisciplinary Studies in Literature and Environment, 1 October, 16/4: 871–873.
  • Głębocki, Zdzisław (2010). “Bruce Chatwin’s The Songlines: Cultural perspectives”. In: Grzegorz Moroz, Jolanta Sztachelska (eds.). Metamorphoses of Travel Writing: Across Theories, Genres, Centuries and Literary Tradition. Cambridge: Cambridge Scholars Publishing, 175-183.
  • Grosz, Elisabeth (2005). Time Travels: Feminism, Nature, Power. Sidney: Allen & Unwin.
  • Holland, Patrick, Graham Huggan (2000). Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing. Ann Arbor: The University of Michigan Press.
  • Hulme, Peter (2009). “Deep maps: Travelling on the spot”. In: Julia Kuehn, Paul Smethurst (eds.). Travel Writing: Form, and Empire: The Poetics and Politics of Mobility. New York – London: Routledge, 132-147.
  • Jamie, Kathleen (2005). Findings. London: Sort of Books.
  • Jamie, Kathleen (2012). Sightlines. London: Sort of Books.
  • Matthiessen, Peter (1980). The Snow Leopard. London: Pan Books.
  • Shklovsky, Viktor (1917). “Art as technique”. Available at <https:// warwick.ac.uk/fac/arts/english/currentstudents/undergraduate/modules/fulllist/first/en122/lecturelist-2015-16-2/shklovsky.pdf>. Accessed 20.02.2108.
  • “Synaesthesia”. Available at <http://www.iep.utm.edu/synesthe/>. Accessed 20.02.2108.
  • Urbain, Jean-Didier (2012). “I travel, therefore I am: The ‘nomad mind’ and the spirit of travel”. In: Tim Youngs, Charles Forsdick (eds.). Travel Writing: Critical Concepts in Literary and Cultural Studies. Vol. IV. Approaches to Travel. London – New York: Routledge, 24-43.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-b697b051-15c4-4854-acd3-c66a88948931
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.