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PL EN


1979 | 2 | 139-143

Article title

Wpływ promieniowania nadfioletowego na parametry niektórych farb akrylowych

Content

Title variants

EN
THE EFFECT OF ULTRA-VIOLET RADIATION UPON PARAMETERS OF SOME ACRYLIC PAINTS

Languages of publication

PL

Abstracts

EN
The availability on the market of a big numer of ready-made paints, substances and materials with different resistance to light makes it necessary to have them examined thoroughly, especially with a view to the requirements of conservation and restoration of works of art. Because ultra-violet radiation exerts a great effect upon the paramemeters of the colouring of some acrylic paints, there has been developed a method of the so-called quantitative expression of colours; it consists in establishing parameters of the colouring of artistic paints. The method is based on a wellknown law of Grossman. According to it, any colour P can be produced by mixing three basic colours: А, В, С in quantities X, Y, Z. Thus P = XA+YB+ZC. Colours А, В, С are basic to the effect that none of them can be obtained by mixing the remaining two. The method of establishing parameters of the colouring makes it possible to (1) quickly and objectively state changes occurring under the effect o f ultra-violet radiation, (2) carry out comparative studies of paints made by different manufacturers, (3) examine chainges taking place under the effect of substances used for conservation and restoration, and finally (4) record changes in the colouring of individual parts of works. Another essential advantage of the method is the possibility to use measuring equipment that is easy of access and simple to operate. It is also very useful in describing the condition of historic works of art and their protection.

Keywords

Year

Issue

2

Pages

139-143

Physical description

Dates

published
1979

Contributors

author
  • mgr, Instytut Zabytkoznawstwa i Konserwatorstwa
  • mgr, Instytut Zabytkoznawstwa i Konserwatorstwa
  • mgr inż., Ogólnouczelniany Ośrodek Obliczeniowy UMK w Toruniu

References

  • J. We r ne r , Podstawy technologii malarstwa i grafiki, wyd. IV, PWN, Łodź, s. 24.
  • G. T h o m s o n , Current research on colour change in paintings at the National Gallery, London, „ICOM Comm, for Cons.”, 4th Meeting 75/9/1-1-do -6, 1975, wg „Art and Archaeological Technical Abstracts”, 13/1/107, 1976.
  • H. C. von I m h о f f, Research project on pigment identification and controlled natural alteration through age, „ICOM Comm, for Cons.”, 4th Meeting, 75/4/4-1 do -13, 1975, wg „Art and Archaeological Technical Abstracts”, 13(1), 108, 1976.
  • B. H. С r a w f о r d, Just perceptible colour differences in relation to level o f illumination, „Studies in Conservation”, 18, 159, 1973.
  • G. B i s c o n t i , S. F r a s c a t i , L. M a r c h e s i n i , Colour variations in old bricks and stones as a result o f consolidation with resin, [w:] The Conservation of Stone, I, Bologna 1976, s. 731.
  • PN — 65/N — 01252. Liczbowe wyrażanie barw.
  • PN — 65/N — 01253. Metody wyznaczania barw.
  • E. S z y s z k o , Instrumentalne metody analityczne, wyd. IV, PZWL, Warszawa 1975, s. 58—62, C. Zeiss Jena, Kolorymetr spektralny Spekol — instrukcja obsługi, s. 36.
  • G. F i o r e n z i, R. С h e с с h i, „Chim. e Ind.”, 48, 39, 1966, wg G. В i s с o n t i, op. cit.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-e657e2d2-69d8-46cc-907e-e44db70ba2a5
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