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2018 | 2 | 4(6) | 27–35

Article title

The Ontological Foundations of Digital Art

Authors

Content

Title variants

Languages of publication

EN

Abstracts

EN
In recent decades, the internet has become our predominant public space and yet the role of art in this space remains largely unthought. This paper argues that graphic art, and in particular digital graphic art, has great power to shape and transform our thinking and experience. But with that power comes an enormous political and ethical responsibility, a responsibility too often ignored by programmers and computer scientists. This paper uses the work of Denis Schmidt and Jacques Taminiaux as important resources for developing a Heideggerian response to this lack.

Keywords

Year

Volume

2

Issue

Pages

27–35

Physical description

Dates

published
2018-12-28

Contributors

  • Department of Philosophy, Gonzaga University

References

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  • Aristotle. Nicomachean Ethics. Translated by Martin Ostwald. New Jersey: Library of Liberal Arts, 1999.
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  • Boorstin, Daniel J. The Image: A Guide to Pseudo-Events in America. New York: First Vintage Books, 1992.
  • Heidegger, Martin. “Age of the World Picture.” In The Heidegger Reader, edited by Günter Figal. Translated by Jerome Veith. Bloomington, Indianapolis: Indiana University Press, 2009.
  • Heidegger, Martin. Poetry, Language, Thought. Edited by Albert Hofstadter. New York: Harper and Row, 1971.
  • Heidegger, Martin. Hölderlin’s Hymn “The Ister.” Translated by William McNeill and Julia Davis. Bloomington: Indiana University Press, 1996.
  • Heidegger, Martin. An Introduction to Metaphysics. Translated by Ralph Manheim. New York: Doubleday, 1961.
  • Heidegger, Martin. “On the Origin of the Work of Art: First Version.” In The Heidegger Reader, 130–150. Bloomington, IN: Indiana University Press, 2009.
  • Heidegger, Martin. Plato’s Sophist. Translated by Richard Rojcewicz and André Schuwer. Bloomington, IN: Indiana University Press, 1997.
  • Heidegger, Martin. The Heidegger Reader, edited and translated by Günter Figal and Jerome Veith. Bloomington, IN: Indiana University Press, 2009.
  • Heidegger, Martin. Being and Time. Translated by Joan Staumbough. Albany: State University of New York Press, 2010.
  • Heidegger, Martin. The Basic Probelms of Phenomoenology. Translated by Albert Hofstadter. Bloomington, IN: Indiana University Press, 1982.
  • Hölderlin, Fredrick. Selected Poems and Fragments, edited by Jeremy Adler. Translated by M. Hamburger. London, New York, Victoria, Ontario, New Delhi, Auckland, Johannesburg: Anvil Press, Anvil Press Poetry, 1994.
  • Kant, Immanuel. Critique of Pure Reason, edited by Paul Guyer. Translated by Paul Guyer and Allen W. Wood. Cambridge, New York, Melbourne, Madrid, Cape Twon, Singapore, Sao Paulo, Delhi: Cambridge University Press, 1999.
  • McLuhan, Marshall. The Mechanical Bride: Folklore of Industrial Man. Boston: Beacon Press, 1967.
  • Plato. “Critias.” In Plato Timaeus and Critias. Translated by Robin Waterfield, 101-220. New York: Oxford University Press, 2008.
  • Postman, Neil. Amusing Ourselves to Death: Public Discourse in the Age of Business. London: Penguin Books, 2006.
  • Schmidt, Denis. J. Between Word and Image: Heidegger, Klee, and Gadamer on Gesture and Genesis. Bloomington, IN: Indiana University Press, 2013.
  • Taminiaux, Jacques. “The Origin of the Work of Art.’” In Poetics, Speculation, Judgment: The Shadow of the Work of Art from Kant to Phenomenology, edited and tranlsated by Michael Gendre, 153–17. New York: State University of New York Press, 1993.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.desklight-f28a8900-c92d-4bd4-80a3-6e660ae7f1eb
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