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2016 | 4(31) | 118-134

Article title

Przekształcanie wzorców w muzyce rockowej – przypadek No Fun zespołu The Stooges1

Authors

Content

Title variants

EN
Transformations of models in rock music – the case of No Fun by The Stooges

Languages of publication

PL

Abstracts

EN
The article tracks a connection between songs No Fun by The Stooges and Johnny Cash’s I Walk The Line that Iggy Pop briefly hinted in a Dutch documentary Lust For Life. The rocker declared that the Cash’s piece was used by The Stooges as a pattern for No Fun. Indeed, the analysis of a structure of both songs shows many similarities but also exposes elements in which two songs significantly differ in their tonality and construction of phrases. After a recognition of Iggy Pop’s short career as a blues musician involved in the American blues revival and some structural features of blues, it seems to be possible that the aforementioned differences could derive from the structure of the latter that was blended with the country music pattern.

Keywords

Year

Issue

Pages

118-134

Physical description

Dates

online
2016-10-01

Contributors

  • Uniwersytet Jagielloński w Krakowie

References

  • Bibliografia: Ambrose J., Gimme Danger. The Story of Iggy Pop, Ebbw Vale 2008.
  • Hatch D., Millward S., From Blues to Rock. An Analytical History of Pop Music, Manchester 1987.
  • Kubik G., Blue note, [w:] Grove Music Online, [online] http://www.oxfordmusiconline.com/subscriber/article/grove/music/A2234425 [dostęp: 16.07.2016].
  • Johnson G.B., Odum H.D., The Negro and his Songs. A Study of Typical Negro Songs in the South, Chapel Hill 1925, [online] https://archive.org/details/negrohissongsstu00odum [dostęp: 27.11.2016].
  • Lust For Life [film], reż. B. van Splunteren, Holandia 1986, [online] http://www.vpro.nl/speel.WO_VPRO_043295.html [dostęp: 29.06.2016].
  • Oliver P., Blues, [w:] Grove Music Online, [online] http://www.oxfordmusiconline.com/subscriber/article/grove/music/03311 [dostęp: 02.05.2015].
  • Schmidt A., Historia jazzu, t. 1, Rodowod, Warszawa 1989.
  • Schwartz R.F., How Britain Got the Blues. The Transmission and Reception of American Blues Style in the United Kingdom, Burlington–Aldershot 2007.
  • Taft M., The Blue Lyric Formula, New York–London 2006.
  • Titon J.F., Early Downhome Blues. A Musical and Cultural Analysis, Chapel Hill–London 1994.
  • Trynka P, Iggy Pop. Open Up and Bleed. Upadki, wzloty i odloty legendarnego punkowca, tłum. M. Tumidajewicz, Krakow 2012.
  • Weisethaunet H., Is There Such a Thing as the ‘Blue Note’?, „Popular Music” 20 (2001), nr 1. The Black Keys, Chulahoma: The Songs of Junior Kimbrough [CD], Fat Possum Records, 2006.
  • Dyskografia:The Black Keys, The Moan [płyta gramofonowa], Alive Records, 2004.
  • Cash Johnny, I Walk the Line [płyta gramofonowa], Friday Music, 2016.
  • Johnson Robert, King Of The Delta Blues Singers Vol. II [płyta gramofonowa], Columbia Records, 1971.
  • McTell „Blind” Willie, The Complete Recorded Works in Chronological Order Volume 1 [płyta gramofonowa], Third Man Records, 2013.
  • The Stooges, The Stooges [CD], Elektra Records, 2005.

Document Type

Publication order reference

Identifiers

ISSN
2353-7094

YADDA identifier

bwmeta1.element.desklight-fb597c7b-3e7e-45ee-ae1b-a9cff92ca0fb
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