Full-text resources of CEJSH and other databases are now available in the new Library of Science.
Visit https://bibliotekanauki.pl

PL EN


2014 | 9 | 1 | 7-29

Article title

“All Over the Map:” Building (and Rebuilding)

Authors

Title variants

Languages of publication

EN

Abstracts

EN
Keynote talk given at the conference of ISIS <http://lnu.se/research-groups/isis?l=en> (International Society for Intermedial Studies) “Rethinking Intermediality in the Digital Age” organized by the Sapientia Hungarian University of Transylvania, in Cluj-Napoca, Romania, between the 24th and 26th of October 2013. (The photos of Henry Jenkins illustrating the article were taken by Ágnes Pethő.)

Publisher

Year

Volume

9

Issue

1

Pages

7-29

Physical description

Dates

published
2014-12-01
online
2015-03-17

Contributors

author
  • University of Southern California (USA)

References

  • Andrew, Dudley.1984. Concepts in Film Theory. Oxford: Oxford University Press.
  • Beacham, Travis. 2013. Pacific Rim: Tales for Year Zero. New York: Marvel.
  • Bordwell, David and Kristin Thompson. 1990. Film Art: An Introduction. New York: McGraw-Hill.
  • Curtis, Grant. 2013. The Art of Oz the Great and Powerful. New York: Disney.
  • Derecho, Abigail. 2006. Archontic Literature: A Definition, A History, and Several Theories of Fan Fiction. In Fan Fiction and Fan Communities in the Age of the Internet, eds. Kristina Busse and Karen Helleckson, 61-78. New York: McFarland.
  • Eco, Umberto. 1990. Casablanca: Cult Movies and Intertextual Collage. In Travels in Hyperreality. New York: Harvest.
  • Matthew Freeman. 2014. Advertising the Yellow Brick Road: Historicizing the Industrial Emergence of Transmedia Storytelling. International Journal of Communication no. 8: 2362-2381.
  • Goodman, Nelson. 1978. Ways of Worldmaking. Indianapolis, IN: Hackett.
  • Ito, Mimi. 2008. “Gender Dynamics of the Japanese Media Mix,” Beyond Barbie and Mortal Kombat: New Perspectives on Gender and Gaming, 97-110. Cambridge, MIT. Johnson, Derek. 2013. Media Franchising: Creative License and Collaboration in the Culture Industries. New York: New York University Press.
  • Kelleter, Frank. 2012. Toto, I Think We Are in Kansas Again (and Again and Again): Remakes and Popular Seriality. In. Film Remakes, Adapations and Fan Productions, eds. Kathleen Loock and Constantine Verevis, 19-44. New York: Palgrave McMillan.
  • Otsuka Eiji. 2010. World and Variation: The Reproduction and Consumption of Narrative. Mechademia no. 5: 99-116.
  • Riley, Michael O. 1997. Oz and Beyond: The Fantasy World of L. Frank Baum. University Press of Kansas.
  • Ryan, Marie-Laurie. 2001. Narrative as Virtual Reality: Immersion and Interactivity in Literature and Electronic Media. Baltimore: Johns Hopkins University Press.
  • Saler, Michael. 2012. As If: Modern Enchantments and the Literary Prehistory of Virtual Reality. Oxford: Oxford University Press.
  • Sigler, Carolyn. 1997. Alternative Alices: Visions and Revisions of Lewis Carroll’s Alice Books. Bowling Green: University Press of Kentucky.
  • Swartz, Mark Evan. 2000. Oz Before the Rainbow: L. Frank Baum’s The Wonderful Wizard of Oz on Stage and Screen to 1939. Baltimore: Johns Hopkins University Press .
  • Wolf, Mark J. P. 2013. Building Imaginary Worlds: The Theory and History of Subcreation. New York: Routledge.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_ausfm-2015-0001
JavaScript is turned off in your web browser. Turn it on to take full advantage of this site, then refresh the page.