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2015 | 2 | 1 | 38-43

Article title

She, You and They – More Actors on the Creativity Research Stage!

Title variants

Languages of publication

EN

Abstracts

EN
The commentary confirms and builds on Glăveanu’s critical scrutiny of the current stage of creativity research. The need for more actors, theories, methods and definitions will not be fulfilled until critical reflection concerning what has been done and synthesis between different research attempts are achieved. The authors first expand the creativity stage by discussing what will happen in creativity research attempts if we alternate with a “ she, you and they” perspective? They then present a new definition of creativity. Creativity is seen as a collective, generative, novel way of experiencing reality ending with the idea of a shared product that is evaluated as creative in a relevant context. This definition is in line with the development of a new creativity tool or measurement, the Test for Distributed Creativity in Organizational Groups (DOG). The DOG can be used both for measuring the products of creative groups and investigating their processes.

Publisher

Year

Volume

2

Issue

1

Pages

38-43

Physical description

Dates

published
2015-06-01
received
2014-11-06
revised
2015-02-17
accepted
2015-02-21
online
2015-05-26

Contributors

author
  • Lund University, Sweden
  • Lund University, Sweden

References

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  • Brown, J. (2008). Actualization and causality. In G. Smith & I. M. Carlsson (Eds.), Process and personality: actualization of the personal world with process-oriented methods (pp. 263-289). Frankfurt: Ontos Verlag.
  • Campbell, D. T. (1960). Blind variation and selective retentions in creative thought as in other knowledge processes. Psychological Review, 67, 6, 380-400; DOI: 10.1037/h0040373.[Crossref]
  • Draguns, J. (2008). Perceptgenesis: its origins, accomplishments and prospects. In G. Smith & I. M. Carlsson (Eds.), Process and personality: actualization of the personal world with process-oriented methods (pp. 23-51). Frankfurt: Ontos verlag.
  • Glăveanu, V. P. (2014). The psychology of creativity: a critical reading. Creativity. Theories – Research – Applications, 1, 1, 10-32; DOI: 10.15290/ctra.2014.01.01.02.
  • Glăveanu, V. P. (2010). Paradigms in the study of creativity: Introducing the perspective of cultural psychology. [Article]. New Ideas in Psychology, 28, 1, 79-93; DOI: 10.1016/j.newideapsych.2009.07.007.[WoS][Crossref]
  • Glăveanu, V. P. (2013). Rewriting the language of creativity: The Five A's framework. Review of General Psychology, 17, 1, 69-81; DOI: 10.1037/a0029528.[Crossref][WoS]
  • Guilford, J. P. (1967). The nature of human intelligence. New York: McGraw-Hill Book Company.
  • Hennessey, B., & Altringer, B. A. (2014). Kulturella skillnader: kreativitet i olika väderstreck [Cultural differences: creativity in different points of the compass]. In E. Brodin, I. M. Carlsson, E. V. Hoff & F. Rasulzada (Eds.), Kreativitet: teori och praktik ur psykologiska perspektiv [Creativity: theory and practise from psychological perspectives] (pp. 233-255). Stockholm: Liber.
  • Hoff, E. V., & West, S. (2014). Manual : Test for Distributed creativity in Organizational Groups (DOG). Lund, Sweden: Department of psychology. Lund University.
  • Hoff, E., & Carlsson, I. (2002). Shining lights or lone wolves? Creativity and self-image in primary school children. Journal of Creative Behavior, 36, 1, 17-40.
  • Hutchins, E. (2012). Concepts in Practice as Sources of Order. Mind, Culture, and Activity, 19, 3, 314-323.
  • Sawyer, R. K., & DeZutter, S. (2009). Distributed creativity: How collective creations emerge from collaboration. Psychology of Aesthetics, Creativity, and the Arts, 3, 2, 81-92; DOI: 10.1037/a0013282.[Crossref]
  • Smith, G. (2001). The process approach to personality: perceptgeneses and kindred approaches in focus. New York: Kluwer Academic/Plenum publishers.
  • Smith, G., & Carlsson, I. (1990). The creative process: a functional model based on empirical studies from early childhood to middle age (Vol. 57). Madison, Conn: International U.P.
  • Tanggaard, L. (2013). The sociomateriality of creativity in everyday life. [Article]. Culture & Psychology, 19, 1, 20-32; DOI: 10.1177/1354067x12464987.[Crossref][WoS]
  • West, S., Hoff, E. V., & Carlsson, I. M. (2015). Enhancing team creativity with playful improvisation theatre: a controlled intervention field study. Submitted for publication. Department of Psychology. Lund University. Sweden.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_ctra-2015-0005
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