Women And Visual Representations Of Space In Two Chinese Film Adaptations OfHamlet

• Authors: WAI FONG CHEANG
• Languages of publication: EN

Abstracts

EN

This paper studies two Chinese film adaptations of Shakespeare’s Hamlet, Xiaogang Feng’s The Banquet (2006) and Sherwood Hu’s Prince of the Himalayas (2006), by focusing on their visual representations of spaces allotted to women. Its thesis is that even though on the original Shakespearean stage details of various spaces might not be as vividly represented as in modern film productions, spaces are still crucial dramatic elements imbued with powerful significations. By analyzing the two Chinese film adaptations alongside the original Hamlet text, the paper attempts to reinterpret their different representations of spaces in relation to their different historical-cultural gender notions.

Keywords

EN

film adaptation; Hamlet; Shakespeare; space; women

• Publisher: Sciendo
• Journal: Gender Studies
• Year: 2014
• Volume: 13
• Issue: 1
• Pages: 1-21

Dates

published

2014-12-01

online

2015-03-25

Contributors

author

WAI FONG CHEANG

• Chang Gung University, Taiwan, 259 Wen-Hwa 1st Road, Kwei-Shan Tao-Yuan, Taiwan; 2014-2015 Visiting Scholar at Harvard University, USA

References

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• Prince of the Himalayas. 2006. Dir. Sherwood Hu. Perf. Purba Rgyal and Zomskyid. DVD.
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Identifiers

DOI

10.1515/genst-2015-0001