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Journal

2014 | 2014 | 1 | 89-101

Article title

Psychology and Adaptation: the Work of Jerome Bruner

Authors

Title variants

Languages of publication

EN

Abstracts

EN
This article offers a view as to why Jerome Bruner should become an important figure in future constructions of adaptation theory. It will be divided into three sections. In the first, I discuss in more detail his notions of transformation, paying particular attention to the ways in which we redefine ourselves to cope with different situations (as I did while visiting two specific museums in Vienna and Samos). The second will examine Bruner’s belief in the power of narrative or storytelling as ways to impose order on the uncertainties of life (as well as one’s expectations from it) that renders everyone authors of their own adaptations. In the final section I suggest that the capacity for “making stories” (Bruner’s term) assumes equal importance in psychological terms as it does for the screenwriter or adapter: all of us construct narratives through a process of individual distillation of experiences and information, and subsequently refine them through group interaction. Through this process we understand more about ourselves and our relationship to the world around us. I elaborate this notion through a brief case-study of Charlie Kaufman’s screenplay for the film Adaptation (2002).

Publisher

Journal

Year

Volume

Issue

1

Pages

89-101

Physical description

Dates

published
2014-02-01
online
2015-04-18

Contributors

author
  • Başkent University, Ankara, Turkey

References

  • Adaptation. Dir. Spike Jonze. Perf. Nicolas Cage, Meryl Streep, Tilda Swinton. Columbia TriStar Home Video, 2003. DVD.
  • Arpa, Maria. Mindfulness at Work: Flourishing in the Workplace. Lewes, UK: Leaping Hare Press, 2013. Print.
  • Bruner, Jerome. The Culture of Education. Cambridge, MA: Harvard UP, 1996. Print.
  • -----. Making Stories: Law, Literature, Life. Cambridge, MA: Harvard UP, 2002. Print.
  • -----. The Process of Education. 1960. Cambridge, MA: Harvard UP, 1977. Print.
  • Cattrysse, Patrick. Descriptive Adaptation Studies: Epistemological and Methodological Issues. Antwerp and Apeldoorn: Garant, 2014. Print.
  • Conor, Bridget. “’Everybody’s a Writer: Theorizing Screenwriting as Creative Labour.” Journal of Screenwriting 1.1 (2010): 27-43. Print.[WoS]
  • Darwin, Charles. The Portable Darwin. Eds. Duncan M. Porter and Peter W. Graham. Harmondsworth: Penguin Books, 1993. Print.
  • DeJong, Timothy A. “Between the Is and the Is Not: Northrop Frye, Adaptation and the Romantic Imagination.” English Studies in Canada 37.2 (June 2011): 67-86. Print.
  • Diamond, Suzanne. “Whose Life is it, Anyway?” Redefining Adaptation Studies.Eds. Dennis Cutchins, Laurence Raw and James M. Welsh. Lanham, MD: The Scarecrow Press, Inc., 2010. 95-111. Print.
  • Frye, Northrop. Anatomy of Criticism: Four Essays by Northrop Frye. Princeton: Princeton UP., 1957. Print.
  • Karpov, Yuriy V. Vygotsky for Educators. Cambridge: Cambridge UP, 2014. Print.
  • Kaufman, Charlie, and Kaufman, Donald. “Adaptation: Adapted from the book The Orchid Thief by Susan Orlean.” Second Draft Screenplay, Sep. 24, 1999. Dailyscript.com. Web. 5 Jul. 2012.
  • Love, Glen A. “Ecocriticism, Theory, and Darwin.” ISLE 17.4 (2010): 773-5. Print.
  • -----. Practical Ecocriticism. Charlottesville: U. of Virginia Press, 2003. Print.
  • Mezirow, Jack, and Associates.Learning as Transformation. San Francisco: Jossey- Bass, 2000. Print.
  • Millard, Kathryn. “After the Typewriter: The Screenplay in the Digital Era.” Journal of Screenwriting 1.1 (2010): 11-25. Print.[WoS]
  • Murray, Simone. The Adaptation Industry: The Cultural Economy of Contemporary Literary Adaptation. New York and Abingdon: Routledge, 2011. Print.
  • Orlean, Susan. The Orchid Thief: A True Story of Beauty and Obsession. New York: Vintage, 1998. Print.
  • Raw, Laurence. “My Theory Can Lick Your Theory.” Literature/Film Quarterly, forthcoming. Print.
  • -----, and Tony Gurr. Adaptation and Learning: New Frontiers. Lanham, MD: The Scarecrow Press, 2013. Print.
  • Rumi, Jalaluddin. “The Guest House.” Trans. Coleman Barks. Mindfulness: A Practical Guide to Finding Peace in a Frantic World. 164-5. London: Piatkus, 2011. Print.
  • Screenplays by Charlie Kaufman, Including, Human Nature (Film), Adaptation (Film), Being John Malkovich, Eternal Sunshine of the Spotless Mind, Confessions of a Dangerous Mind, Synecdoche, New York. New York: Hephaestus Books, 2009. Print.
  • Smith, David L. “The Implicit Soul of Charlie Kaufman’s Adaptation.” Philosophy and Literature 30.2 (October 2006): 424-35. Print.
  • Sutton, Jan. Healing the Hurt Within: Understand Self-Injury and Self-Harm, and Heal the Emotional Wounds. Oxford: How to Books, 1999. Print.
  • “Top Class Museum.” Tripadvisor, 30 Aug. 2014. Web. 5 Sep. 2014.
  • Williams, Mark, and Danny Penman. Mindfulness: A Practical Guide to Finding Peace in a Frantic World. London: Piatkus, 2011. Print.
  • Wolper, Carol. Adapt or Wait Tables: A Freelancer’s Guide. Los Angeles: Rare Bird Books, 2013. E-book.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_1515_lincu-2015-0018
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