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Journal

2013 | 12 | 1 | 93-111

Article title

“A THING LIKE DEATH”: MEDICAL REPRESENTATIONS OF FEMALE BODIES IN SHAKESPEARE’S PLAYS

Authors

Title variants

Languages of publication

EN

Abstracts

EN
While the hysterical ailments of women in Shakespeare’s works have often been read from psychoanalytical standpoints, early modern medicine may provide new insights into the ‘frozen’, seemingly dead bodies of some of his heroines, such as Desdemona, Thaisa, and Hermione. In the wake of recent critical work (Peterson, Slights, Pettigrew), this paper will shed fresh light on the ‘excess’ of female physiology and on Shakespeare’s creative redeployment of some medical concepts and narratives.

Publisher

Journal

Year

Volume

12

Issue

1

Pages

93-111

Physical description

Dates

published
2013-12-01
online
2014-02-14

Contributors

  • Universities of Bergamo and Trento, Italy via Salvecchio 19 - 24129 Bergamo. Italy

References

  • Adelman, Janet. 1992. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare’s Plays. New York-London: Routledge.
  • Bucknill, John Charles. 1971 (1860). The Medical Knowledge of Shakespeare. New York: AMS Press.
  • Cummins, Juliet and Burchell, David (Eds.). 2007. Science, Literature and Rhetoric in Early Modern England. Aldershot: Ashgate.[WoS]
  • Foucault, Michel. 1978 (1976). The History of Sexuality. Trans. Robert Hurley. Harmondsworth: Penguin Books. Vol. I.
  • Hoeniger, F. David. 1992. Medicine and Shakespeare in the English Renaissance. Newark: University of Delaware Press.
  • Maclean, Ian. 1980. The Renaissance Notion of Woman: A Study in the Fortunes of Scholasticism and Medical Science in European Intellectual Life. Cambridge: Cambridge University Press.
  • Marchitello, Howard. 2011. The Machine in the Text: Science and Literature in the Age of Shakespeare and Galileo. Oxford: Oxford University Press.
  • Paster, Gail Kern. 1998. “The Unbearable Coldness of Female Being: Women’s Imperfection and the Humoral Economy”. English Literary Renaissance 28(3): 416-440.
  • Paster, Gail Kern. 2004. Humoring the Body: Emotions and the Shakespearean Stage.Chicago: Chicago University Press.
  • Peterson, Kaara L. 2004. “Performing Arts: Hysterical Disease, Exorcism, and Shakespeare’s Theater”. Disease, Diagnosis, and Cure on the Early Modern Stage. Stephanie Moss and Kaara L. Peterson (Eds.). Aldershot: Ashgate, pp.328.
  • Peterson, Kaara L. 2010. Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare’s England. Farnham: Ashgate.
  • Pettigrew, Todd H. J. 2007. Shakespeare and the Practice of Physic: Medical Narratives on the Early Modern English Stage. Newark: University of Delaware Press.
  • Rutter, Carol Chillington. 2002 (2001). Enter the Body: Women and Representation on Shakespeare’s Stage. London-New York: Routledge.
  • Shakespeare, William. 1997. The Norton Shakespeare: Based on the Oxford Edition. New York-London: Norton.
  • Slights, William W. E. 2008. The Heart in the Age of Shakespeare. Cambridge: Cambridge University Press.
  • Wilder, Lina Perkins. 2010. Shakespeare’s Memory Theatre: Recollection, Properties, and Character. Cambridge: Cambridge University Press. Yates, Francis. 1984 (1966). The Art of Memory. London: Ark.

Document Type

Publication order reference

Identifiers

YADDA identifier

bwmeta1.element.doi-10_2478_genst-2013-0006
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